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Date: 1810

"So it is with the memory, after continual recurrence, and pressure of the affections upon the image she presents, which, for a considerable period, she had presented with that perfect precision, to which no powers of the pencil can attain;--but, in time, the image becomes indistinct, not from an...

— Seward, Anna (1742-1809)

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Date: 1810

"Yes, it is beneath the constant glow of ardent imagination, that the impression, given by memory, has faded. Then it is that a good, nay even an indifferent picture, or a paper-profile of a dear lost friend, strengthens our recollection, in the same manner that retouching a copper-plate restores...

— Seward, Anna (1742-1809)

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Date: 1810

We desire a "penciled remembrance of those we love" in order to "refresh that ideal image which intense and perpetual contemplation had rendered evanescent"

— Seward, Anna (1742-1809)

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Date: 1810

Two cause produce the vanishing of internal images; "viz. the mind not having dwelt upon the originals of those its pictures often enough to make their image strong and vivid after long absence; --and, its too frequently casting upon such inshrined resemblances, the dazzling light of fervent med...

— Seward, Anna (1742-1809)

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Date: 1817

"The lights and shades, in contrast due, / Relieve each other in the view: / Alike the moral painter's part / T'obey the rules of studious art; / Thus to attract the mental eye / With height'ning variety;-- / And as the pencil truly gives / Each form that on the canvas lives, / To make his pen ad...

— Combe, William (1742 -1823)

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Date: 1817

"In our perceptions we seem to ourselves merely passive to an external power, whether as a mirror reflecting the landscape, or as a blank canvas on which some unknown hand paints it."

— Coleridge, Samuel Taylor (1772-1834)

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Date: 1817

"The wise Stagyrite speaks of no successive particles propagating motion like billiard balls (as Hobbs;) nor of nervous or animal spirits, where inanimate and irrational solids are thawed down, and distilled, or filtrated by ascension, into living and intelligent fluids, that etch and re-etch eng...

— Coleridge, Samuel Taylor (1772-1834)

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Date: 1819

Some dreams "more strong, abiding figures draw / 'Upon the brain, and we assert 'I saw;'"

— Crabbe, George (1754-1832)

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Date: 1819

In sleep the fancy may place "A powerful likeness of a form and face" on the organs

— Crabbe, George (1754-1832)

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Date: 1826

"[T]hen sweet Memory / May come, and with her mirror cheer thy mind, / On whose bright surface lovelier scenes shall live / Than any shrined within Italian climes."

— Radcliffe [née Ward], Ann (1764-1823)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.