Date: 1773

"Oh! my heart sinks, my dying eyes o'erflow, / When mem'ry paints the picture of their woe!"

— Day, Thomas (1748-1789)

Date: 1774

"I often paint you in my imagination, in your present lontananza, and, while I view you in the light of ancient and modern learning, useful and ornamental knowledge, I am charmed with the prospect; but when I view you in another light, and represent you awkward, ungraceful, ill-bred, with vulgar ...

— Stanhope, Philip Dormer, fourth earl of Chesterfield (1694-1773)

Date: 1775

"See, in their course, each transitory thought / Fixed by his touch a lasting essence take; / Each dream, in fancy's airy colouring wrought, / To local symmetry and life awake!"

— Gray, Thomas (1716-1771)

Date: 1776-1789

"The dissolute tyranny of Commodus, the civil wars occasioned by his death, and the new maxims of policy introduced by the house of Severus, had all contributed to increase the dangerous power of the army, and to obliterate the faint image of laws and liberty that was still impressed on the minds...

— Gibbon, Edward (1737-1794)

Date: 1778, 1779

"Your impatience to fly to a place which your imagination has painted to you in colours so attractive, surprizes me not; I have only to hope that the liveliness of your fancy may not deceive you: to refuse, would be to raise it still higher."

— Burney [married name D'Arblay], Frances (1752-1840)

Date: 1778, 1779

"but it was not time, it was not the knowledge of his worth, obtained your regard; your new comrade had not patience to wait any trial; her glowing pencil, dipt in the vivid colours of her creative ideas, painted to you, at the moment of your first acquaintance, all the excellencies, all the good...

— Burney [married name D'Arblay], Frances (1752-1840)

Date: 1780, 1781, 1788

"Two passions there by soft contention please, / The love of martial Fame, and learned Ease: / These friendly colours, exquisitely join'd, / Form the enchanting picture of thy mind."

— Hayley, William (1745-1820)

Date: 1781

"Which, like a skilful artist, goes to work upon the materials furnished by the senses; comparing selecting, analysing, and abstracting; till by placing them in different points of view their fitness, relations, and dependencies are seen."

— Rotheram, John (1725–1789)

Date: 1781

"But the difference is much greater between the ideas of sense, the materials upon which the mind first begins its work, and the truths produced by its operations, than between the rough marble, and the statue formed by the skill of PHIDIAS."

— Rotheram, John (1725–1789)

Date: 1781

"Let matter then be allowed to furnish the first materials; the enlightened mind, which by its operations upon these discovers truth, and pursues it through all its distant connections, must have powers as far superiour to that which gave the first impression, as PHIDIAS is superiour to the marble."

— Rotheram, John (1725–1789)