Date: 1664

"Their Hearts are as hard, as Iron too, / As tough, but not so cold."

— Bold, Henry (1627-1683)

Date: 1664

"But swift Desires, / Transport my passions, to a Throne of Rest"

— Bold, Henry (1627-1683)

Date: 1664

"Or if that Lady, in whose Breast, / My fled Heart, is lodg'd a Guest, / Will Exchange (but Oh! I fear / Her's, is stray'd, some other where) / I may Live"

— Bold, Henry (1627-1683)

Date: 1664

"Come! let thy locks (whose every Hair / A willing Lover doth ensnare) / Fetter my Soul, in those soft Chaines, / Where Beauty link't with Love, remains!"

— Bold, Henry (1627-1683)

Date: 1664

"Come! let thy locks (whose every Hair / A willing Lover doth ensnare) / Fetter my Soul, in those soft Chaines, / Where Beauty link't with Love, remains!"

— Bold, Henry (1627-1683)

Date: 1664

"The fancy, memory, and judgment are then extended (like so many limbs) upon the rack; all of them reaching with their utmost stress at nature; a thing so almost infinite and boundless, as can never fully be comprehended, but where the images of all things are always present."

— Dryden, John (1631-1700)

Date: 1664

"I can only say in general, that the souls of other men shine out at little crannies; they understand some one thing, perhaps to admiration, while they are darkened on all the other parts: but your Lordship's soul is an entire globe of light, breaking out on every side; and if I have only discove...

— Dryden, John (1631-1700)

Date: 1664

"But that benefit which I consider most in it [rhyme], because I have not seldom found it, is, that it bounds and circumscribes the fancy: for imagination in a poet is a faculty so wild and lawless, that, like an high-ranging spaniel, it must have clogs tied to it, lest it outrun the judgment."

— Dryden, John (1631-1700)

Date: 1664

"[B]ut when the difficulty of artful rhyming is interposed, where the poet commonly confines his sense to his couplet, and must contrive that sense into such words, that the rhyme, shall naturally follow them, not they the rhyme; the fancy then gives leisure to the judgment to come in; which seei...

— Dryden, John (1631-1700)

Date: 1942

"It has to be on that stage / And, like an insatiable actor, slowly and / With meditation, speak words that in the ear, / In the delicatest ear of the mind, repeat, / Exactly, that which it wants to hear, at the sound / Of which, an invisible audience listens, / Not to the play, but to itself, ex...

— Stevens, Wallace (1879-1955)