"A multitude of objects crowding into the mind at once, disturb the attention, and pass without making any impression, or any lasting impression."
— Home, Henry, Lord Kames (1696-1782)
Work Title
Place of Publication
London and Edinburgh
Publisher
Printed for A. Millar, London; and A. Kincaid and J. Bell, Edinburgh
Date
1762
Metaphor
"A multitude of objects crowding into the mind at once, disturb the attention, and pass without making any impression, or any lasting impression."
Metaphor in Context
A multitude of objects crowding into the mind at once, disturb the attention, and pass without making any impression, or any lasting impression. In a group, no single object makes the figure it would do apart, when it occupies the whole attention*. For the same reason, even a single object, when it divides the attention by the multiplicity of its parts, equals not, in strength of impression, a more simple object comprehended in a single view. Parts extremely complex must be considered in portions successively; and a number of impressions in succession, which cannot unite because not simultaneous, never touch the mind like one entire impression made as it were at one stroke. This justifies simplicity in works of art, as opposed to complicated circumstances and crowded ornaments. There is an additional reason for simplicity, in works that make an impression of dignity or elevation. The mind attached to beauties of a high rank, cannot descend to inferior beauties. And yet, notwithstanding these reasons, we find profuse decoration prevailing in works of art. But this is no argument against simplicity. For authors and architects who cannot reach the higher beauties, endeavour to supply their want of genius by dealing in those that are inferior. In all ages, the best writers and artists have been governed by a taste for simplicity.
(I.iii, pp. 247-8)
Categories
Provenance
ECCO-TCP
Citation
11 entries in ESTC (1762, 1763, 1765, 1769, 1772, 1774, 1785, 1788, 1795, 1796).
See Elements of Criticism, 3 vols. (Edinburgh: Printed for A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>
Reading Elements of Criticism, ed. Peter Jones, 2 vols. (Indianapolis: Liberty Fund, 2005). [Text based on 6th edition of 1785]
See Elements of Criticism, 3 vols. (Edinburgh: Printed for A. Millar, London; and A. Kincaid & J. Bell, Edinburgh, 1762). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>
Reading Elements of Criticism, ed. Peter Jones, 2 vols. (Indianapolis: Liberty Fund, 2005). [Text based on 6th edition of 1785]
Date of Entry
11/18/2013
