"An habitual gloom and severity prevailed over the deep lines of his countenance; and his eyes were so piercing that they seemed to penetrate, at a single glance, into the hearts of men, and to read their most secret thoughts; few persons could support their scrutiny, or even endure to meet them twice."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Cadell and Davies
Date
1797
Metaphor
"An habitual gloom and severity prevailed over the deep lines of his countenance; and his eyes were so piercing that they seemed to penetrate, at a single glance, into the hearts of men, and to read their most secret thoughts; few persons could support their scrutiny, or even endure to meet them twice."
Metaphor in Context
Among his associates no one loved him, many disliked him, and more feared him. His figure was striking, but not so from grace; it was tall, and, though extremely thin, his limbs were large and uncouth, and as he stalked along, wrapt in the black garments of his order, there was something terrible in its air, something almost superhuman. His cowl, too, as it threw a shade over the livid paleness of his face, encreased its severe character, and gave an effect to his large melancholy eye, which approached to horror. His was not the melancholy of a sensible and wounded heart, but apparently that of a gloomy and ferocious disposition. There was something in his physiognomy extremely singular, and that cannot easily be defined. It bore the traces of many passions, which seemed to have fixed the features they no longer animated. An habitual gloom and severity prevailed over the deep lines of his countenance; and his eyes were so piercing that they seemed to penetrate, at a single glance, into the hearts of men, and to read their most secret thoughts; few persons could support their scrutiny, or even endure to meet them twice. Yet, notwithstanding all this gloom and austerity, some rare occasions of interest had called forth a character upon his countenance entirely different; and he could adapt himself to the tempers and passions of persons, whom he wished to conciliate, with astonishing facility, and generally with complete triumph. This monk, this Schedoni, was the confessor and secret adviser of the Marchesa di Vivaldi. In the first effervescence of pride and indignation, which the discovery of her son's intended marriage occasioned, she consulted him on the means of preventing it, and she soon perceived that his talents promised to equal her wishes. Each possessed, in a considerable degree, the power of assisting the other; Schedoni had subtlety with ambition to urge it; and the Marchesa had inexorable pride, and courtly influence; the one hoped to obtain a high benefice for his services, and the other to secure the imaginary dignity of her house, by her gifts. Prompted by such passions, and allured by such views, they concerted in private, and unknown even to the Marchese, the means of accomplishing their general end.
(I.ii, p. 43-4)
Categories
Provenance
Reading
Citation
At least 7 entries in the ESTC (1797)

Radcliffe, Ann. The Italian, ed. Robert Miles (New York: Penguin, 2000). <Google Books: vol. I, vol. II, vol. III>
Date of Entry
06/04/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.