"And that outward objects by the different impressions they make on the organs of sense, communicate certain vibrative motions to the nerves; and these being filled with spirits, propagate them to the brain or seat of the soul, which according to the various impressions or traces thereby made in the brain, is variously affected with ideas."
— Berkeley, George (1685-1753)
Author
Work Title
Place of Publication
London
Publisher
Printed by G. James, for Henry Clements
Date
1713, 1734
Metaphor
"And that outward objects by the different impressions they make on the organs of sense, communicate certain vibrative motions to the nerves; and these being filled with spirits, propagate them to the brain or seat of the soul, which according to the various impressions or traces thereby made in the brain, is variously affected with ideas."
Metaphor in Context
HYLAS. I own there is a great deal in what you say. Nor can any one be more intirely satisfied of the truth of those odd consequences, so long as I have in view the reasonings that lead to them. But when these are out of my thoughts, there seems on the other hand something so satisfactory, so natural and intelligible in the modern way of explaining things, that I profess I know not how to reject it.
PHILONOUS. I know not what way you mean.
HYLAS. I mean the way of accounting for our sensations or ideas.
PHILONOUS. How is that?
HYLAS. It is supposed the soul makes her residence in some part of the brain, from which the nerves take their rise, and are thence extended to all parts of the body: and that outward objects by the different impressions they make on the organs of sense, communicate certain vibrative motions to the nerves; and these being filled with spirits, propagate them to the brain or seat of the soul, which according to the various impressions or traces thereby made in the brain, is variously affected with ideas.
PHILONOUS. And call you this an explication of the manner whereby we are affected with ideas?
(Vol ii, pp. 208-9)
PHILONOUS. I know not what way you mean.
HYLAS. I mean the way of accounting for our sensations or ideas.
PHILONOUS. How is that?
HYLAS. It is supposed the soul makes her residence in some part of the brain, from which the nerves take their rise, and are thence extended to all parts of the body: and that outward objects by the different impressions they make on the organs of sense, communicate certain vibrative motions to the nerves; and these being filled with spirits, propagate them to the brain or seat of the soul, which according to the various impressions or traces thereby made in the brain, is variously affected with ideas.
PHILONOUS. And call you this an explication of the manner whereby we are affected with ideas?
(Vol ii, pp. 208-9)
Categories
Provenance
Past Masters
Citation
5 entries in ESTC (1713, 1725, 1734, 1776, 1777).
See Three Dialogues Between Hylas and Philonous: The Design of Which Is Plainly to Demonstrate the Reality and Perfection of Human Knowledge, the Incorporeal Nature of the Soul, and the Immediate Providence of a Deity: In Opposition to Sceptics and Atheists. Also to Open a Method for Rendering the Sciences More Easy, Useful, and Compendious. (London: Printed by G. James, for Henry Clements, at the Half-Moon, in S. Paul’s Church-Yard, 1713). <Link to ESTC><Link to ECCO-TCP>
Working with the Past Masters electronic version of The Works of George Berkeley, ed. T. E. Jessop and A. A. Luce, vol. II (Desirée Park: Thomas Nelson, 1979).
See Three Dialogues Between Hylas and Philonous: The Design of Which Is Plainly to Demonstrate the Reality and Perfection of Human Knowledge, the Incorporeal Nature of the Soul, and the Immediate Providence of a Deity: In Opposition to Sceptics and Atheists. Also to Open a Method for Rendering the Sciences More Easy, Useful, and Compendious. (London: Printed by G. James, for Henry Clements, at the Half-Moon, in S. Paul’s Church-Yard, 1713). <Link to ESTC><Link to ECCO-TCP>
Working with the Past Masters electronic version of The Works of George Berkeley, ed. T. E. Jessop and A. A. Luce, vol. II (Desirée Park: Thomas Nelson, 1979).
Theme
Seat of the Soul
Date of Entry
02/26/2004
