work_id,theme,provenance,created_at,text,reviewed_on,id,comments,metaphor,dictionary,updated_at,context
5107,"",Reading in ECCO-TCP,2013-11-18 20:53:16 UTC,"When one is totally occupied in any agreeable work that admits not many objects, time runs on without observation; and upon an after recollection must appear short, in proportion to the paucity of objects. This is still more remarkable in close contemplation and in deep thinking, where the train, composed wholly of ideas, proceeds with an extreme slow pace. Not only are the ideas few in number, but are apt to escape an after-reckoning. The like false reckoning of time may proceed from an opposite state of mind. In a reverie, where ideas float at random without making any impression, time goes on unheeded and the reckoning is lost. A reverie may be so profound as to prevent the recollection of any one idea: that the mind was busied in a train of thinking, will in general be remembered; but what was the subject, has quite escaped the memory. In such a case, we are altogether at a loss about the time: we have no data for making a computation. No cause produceth so false a reckoning of time, as immoderate grief. The mind, in this state, is violently attached to a single object, and admits not a different thought. Any other object breaking in, is instantly banished, so as scarce to give an appearance of succession. In a reverie, we are uncertain of the time that is past: but in the example now given, there is an appearance of certainty, so far as the natural measure of time can be trusted, that the time must have been short, when the perceptions are so few in number.
(I.ii.5, pp. 210-1)",,23286,"","""The like false reckoning of time may proceed from an opposite state of mind. In a reverie, where ideas float at random without making any impression, time goes on unheeded and the reckoning is lost.""",Impressions,2018-06-18 15:01:28 UTC,""
5107,"",ECCO-TCP,2013-11-18 20:55:14 UTC,"A multitude of objects crowding into the mind at once, disturb the attention, and pass without making any impression, or any lasting impression. In a group, no single object makes the figure it would do apart, when it occupies the whole attention*. For the same reason, even a single object, when it divides the attention by the multiplicity of its parts, equals not, in strength of impression, a more simple object comprehended in a single view. Parts extremely complex must be considered in portions successively; and a number of impressions in succession, which cannot unite because not simultaneous, never touch the mind like one entire impression made as it were at one stroke. This justifies simplicity in works of art, as opposed to complicated circumstances and crowded ornaments. There is an additional reason for simplicity, in works that make an impression of dignity or elevation. The mind attached to beauties of a high rank, cannot descend to inferior beauties. And yet, notwithstanding these reasons, we find profuse decoration prevailing in works of art. But this is no argument against simplicity. For authors and architects who cannot reach the higher beauties, endeavour to supply their want of genius by dealing in those that are inferior. In all ages, the best writers and artists have been governed by a taste for simplicity.
(I.iii, pp. 247-8)",,23289,"","""A multitude of objects crowding into the mind at once, disturb the attention, and pass without making any impression, or any lasting impression.""",Impressions,2013-11-18 20:55:23 UTC,""
7808,"",Searching in ECCO-TCP,2014-03-02 19:32:35 UTC,"I Have been this Evening recollecting what Passages (since I could first think) have left the strongest Impressions upon my Mind; and after strict Enquiry, I am convinced, that the Impulses I have received from Theatrical Representations, have had a greater Effect, than otherwise would have been wrought in me by the little Occurrences of my private Life. My old Friends, Hart and Mohun; the one by his natural and proper Force, the other by his great Skill and Art, never failed to send me Home full of such Idea's as affected my Behaviour, and made me insensibly more courteous and humane to my Friends and Acquaintance. It is not the Business of a good Play to make every Man an Hero; but it certainly gives him a livelier Sense of Virtue and Merit than he had when he entered the Theatre.
(II, p. 301; cf. II, p. 108 in Bond ed.)",,23415,"","""I Have been this Evening recollecting what Passages (since I could first think) have left the strongest Impressions upon my Mind; and after strict Enquiry, I am convinced, that the Impulses I have received from Theatrical Representations, have had a greater Effect, than otherwise would have been wrought in me by the little Occurrences of my private Life.""",Impressions,2014-03-02 19:32:35 UTC,""