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Date: 1719-1720, 1725

"D'elmont, tho' he was a little startled to find her so much more Mistress of her Temper then he believ'd she could be, yet resolv'd to make all possible use of this Opportunity, which probably might be the last he shou'd ever have, look'd on her as she spoke, with Eyes so piercing, so sparkling ...

— Haywood [née Fowler], Eliza (1693?-1756)

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Date: 1719-1720, 1725

"Sure I am, all that Disdain and Rage could inspire Malice with, had been inflicted on you, but you well know my Soul is of another Stamp."

— Haywood [née Fowler], Eliza (1693?-1756)

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Date: 1719-1720, 1725

"Books were, as it were, Preparatives to Love, and by their softening Influence, melted the Soul, and made it fit for amorous Impressions."

— Haywood [née Fowler], Eliza (1693?-1756)

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Date: 1719-1720, 1725

"There is nothing more certain, than that Love, tho' it fills the Mind with a thousand charming Ideas, which those untouch'd by that Passion are not capable of conceiving; yet it entirely takes away the Power of Utterance, and the deeper Impression it had made on the Soul, the less we are able to...

— Haywood [née Fowler], Eliza (1693?-1756)

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Date: 1723

"Having thus cleaned and polish'd the Soul, it becomes a pure Tabula Rasa, fit for the best or worst Impressions."

— Marana, Giovanni Paolo (1642-1693); Anonymous [William Bradshaw (fl. 1700) or Robert Midgley (1655?-1723)?]

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Date: 1745

"The Idea of her lov'd Orsino presented itself to her distracted Imagination like an incens'd Lover to demand an Account of her Conduct: Which made such an Impression on her Mind, that she could scarce find Amusements for a few Hours, in all the Pleasures that surrounded her."

— Anonymous

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.