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Date: 1690, 1694, 1695, 1700, 1706

"I shall not here enquire, though it may seem probable, that the Constitution of the Body does sometimes influence the Memory; since we oftentimes find a Disease quite strip the Mind of all its Ideas, and the flames of a Fever, in a few days, calcine all those Images to dust and confusion, which ...

— Locke, John (1632-1704)

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Date: 1697

"At such Reflections do's not Nature start, / And try at every Spring to touch your Heart? / Do's not soft Pity's fire begin to burn, / Do not your yearning Bowels in you turn? / In such a case Breasts arm'd with temper'd Steel / And Hearts of Marble, should impression feel."

— Blackmore, Sir Richard (1654-1729)

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Date: 1715

"THEN as to Correction, the Heart being hardned, as before, by Opinion and Practice, and especially in a Belief that he ought not to be corrected, the Rod of Correction has a different Effect; for as the Blow of a Stripe makes an Impression on the Heart of a Child, as stamping a Seal does upon th...

— Defoe, Daniel (1660?-1731)

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Date: 1724

"To gain the unbeliever to my wishes, / I stirr'd his temper with such cautious art, / That, ere his judgment cou'd exert its phlegm, / His blood took ferment from a warmth of passion: / Then, while his fi'ry spirit flam'd with rage, / In its full heat, I stamp'd it with revenge."

— Savage, Richard (1697/8-1743)

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Date: 1791

"In the rich realms of polished taste, / Where judgment penetrates to find / The treasures of the unwrought mind, / Where conversation's ardent spirit / Refines from dross the ore of merit, / Where emulation aids the flame / And stamps the sterling bust of fame."

— West, Jane (1758-1852)

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Date: August 1817

"Whenever any object takes such a hold on the mind as to make us dwell upon it, and brood over it, melting the heart in love, or kindling it to a sentiment of admiration;--whenever a movement of imagination or passion is impressed on the mind, by which it seeks to prolong and repeat the emotion, ...

— Hazlitt, William (1778-1830)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.