Date: 1767, 1784

"Shall we, because we strive in vain to tell / How Matter acts on incorporeal Mind, / Or how, when sleep has lock'd up ev'ry sense, / Or fevers rage, Imagination paints / Unreal scenes, reject what sober sense, / And calmest thought attest?"

— Jago, Richard (1715-1781)

Date: 1768

"The mind sits terrified at the objects she has magnified herself and blackened; reduce them to their proper size and hue she overlooks them."

— Sterne, Laurence (1713-1768)

Date: 1768

"I could not sustain the picture of confinement which my fancy had drawn."

— Sterne, Laurence (1713-1768)

Date: 1768

"I conceive every fair being as a temple, and would rather enter in, and see the original drawings and loose sketches hung up in it, than the transfiguration of Raphael itself."

— Sterne, Laurence (1713-1768)

Date: 1755, 1771

"For this, fair hope leads on the' impassion'd soul / Through life's wild labyrinths to her distant goal; / Paints in each dream, to fan the genial flame, / The pomp of riches, and the pride of fame, / Or fondly gives reflection's cooler eye / A glance, an image, of a future sky."

— Cawthorn, James (1719-1761)

Date: 1755, 1771

"Passions, like colours, have their strength and ease, / Those too insipid, and too gaudy these."

— Cawthorn, James (1719-1761)

Date: 1755, 1771

"Contrast them, curb them, spread them, or confine, / Ennoble these, and those forbid to shine; / With cooler shades ambition's fire allay, / And mildly melt the pomp of pride away; / Her rainbow robe from vanity remove, / Each pulse congenial with the' informing mind, / Each action station'd in ...

— Cawthorn, James (1719-1761)

Date: 1774

"I often paint you in my imagination, in your present lontananza, and, while I view you in the light of ancient and modern learning, useful and ornamental knowledge, I am charmed with the prospect; but when I view you in another light, and represent you awkward, ungraceful, ill-bred, with vulgar ...

— Stanhope, Philip Dormer, fourth earl of Chesterfield (1694-1773)

Date: 1781

"Which, like a skilful artist, goes to work upon the materials furnished by the senses; comparing selecting, analysing, and abstracting; till by placing them in different points of view their fitness, relations, and dependencies are seen."

— Rotheram, John (1725–1789)

Date: 1781

"But the difference is much greater between the ideas of sense, the materials upon which the mind first begins its work, and the truths produced by its operations, than between the rough marble, and the statue formed by the skill of PHIDIAS."

— Rotheram, John (1725–1789)