Date: 1712

"How is the Image to the Sense convey'd? / On the tun'd Organ how the Impulse made? / How, and by which more noble Part the Brain / Perceives th'Idea, can their Schools explain? / 'Tis clear, in that Superior Seat alone / The Judge of Objects has her secret Throne."

— Blackmore, Sir Richard (1654-1729)

Date: 1715

"My Fancy palls, and takes Distast at Pleasure; / My Soul grows out of Tune, it loaths the World, / Sickens at all the Noise and Folly of it."

— Rowe, Nicholas (1674-1718)

Date: 1715

"'Tis false! The thinking Soul is somewhat more / Than Symmetry of Atoms well dispos'd, / The Harmony of Matter."

— Rowe, Nicholas (1674-1718)

Date: 1732

"The Force of Modulated Sound, .... tunes the Heart at ev'ry Turn"

— Mitchell, Joseph (c. 1684-1738)

Date: 1759

"This happy composure, this perfect and complete harmony of soul, constituted that virtue which in their language is expressed by a word which we commonly translate temperance, but which might more properly be translated good temper, or sobriety and moderation of mind."

— Smith, Adam (1723-1790)

Date: 1759

"The spectator, therefore, must find it much more difficult to sympathize entirely, and keep perfect time, with his sorrow, than thoroughly to enter into his joy, and must depart much further from his own natural and ordinary temper of mind in the one case than in the other."

— Smith, Adam (1723-1790)

Date: 1759

"The great pleasure of conversation, and indeed of society, arises from a certain correspondence of sentiments and opinions, from a certain harmony of minds, which like so many musical instruments coincide and keep time with one another."

— Smith, Adam (1723-1790)

Date: 1759

"But he can only hope to obtain this by lowering his passion to that pitch, in which the spectators are capable of going along with him. He must flatten, if I may be allowed to say so, the sharpness of its natural tone, in order to reduce it to harmony and concord with the emotions of those who a...

— Smith, Adam (1723-1790)

Date: 1759

"When music imitates the modulations of grief or joy, it either actually inspires us with those passions, or at least puts us in the mood which disposes us to conceive them. But when it imitates the notes of anger, it inspires us with fear. Joy, grief, love, admiration, devotion, are all of them ...

— Smith, Adam (1723-1790)

Date: 1759

"Our heart, as it adopts and beats time to his grief, so is it likewise animated with that spirit by which he endeavours to drive away or destroy the cause of it."

— Smith, Adam (1723-1790)