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Date: 1735, 1792

"Such haply by that Côon artist known, / Seated apparent queen on Fancy's throne; / From thence thy shape his happy canvas blest, / And colours dipt in heaven thy heavenly form confest"

— Brooke, Henry (c. 1703-1783)

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Date: 1738, 1792

"But soon a beam, emissive from above, / Shed mental day, and touch'd the heart with love; / Gave jealous rage to know Divine Controul, / And ruled the tempest rising in the soul."

— Brooke, Henry (c. 1703-1783)

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Date: w. 1732, 1743, 1752

Reason may "fix it's Empire o'er [one's] Heart"

— Hammond, James (1710-1742)

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Date: w. prior to April 1770; 1785, 1837, 1875

"The groves of Kew, however misapplied / To serve the purposes of lust and pride, / Were, by the greater monarch's care, designed / A place of conversation for the mind; / Where solitude and silence should remain, / And conscience keep her sessions and arraign."

— Chatterton, Thomas (1752-1770)

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Date: w. 1769, 1784

"Happy (if Mortals can be) is the Man, / Who, not by Priest but Reason, rules his span:"

— Chatterton, Thomas (1752-1770)

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Date: 1789, 1792

"The tops of these scarce veil'd the roots of those; / A winding court where wandering fancy walk'd / And to herself responsive Echo talk'd."

— Brooke, Henry (c. 1703-1783)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.