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Date: 1715

"And the only Conception we can form of voluntary Motion is, that the Mind, like a skillful Musician, strikes upon the Nerve which conveys Animal Spirits to the Muscle to be contracted, and adds a greater Force than the natural to the nervous Juice"

— Cheyne, George (1671-1743)

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Date: 1724

"The Soul resides eminently in the Brain, where all the Nervous Fibres terminate inwardly, like a Musician by a well-tuned Instrument, which has Keys within, on which it may play, and without, on which other Persons and Bodies may also play."

— Cheyne, George (1671-1743)

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Date: 1724

"One Law of the Action of the Soul on the Body, & vice versa, seems to be, That upon such and such Motions produced in the Musical Instrument of the Body, such and such Sensations should arise in the Mind; and on such and such Actions of the Soul, such and such Motions in the Body should ensue; m...

— Cheyne, George (1671-1743)

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Date: 1724

"Since the Mind resides, as has been said, in the common Sensory, like a skilful Musician. by a well-tuned Instrument; if the Organ be found, duly tempered, and exactly adjusted, answering and corresponding with the Actions of the Musician, the Musick will be distinct, agreeable and harmonious."

— Cheyne, George (1671-1743)

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Date: 1731

"That the Intelligent Principle, or Soul, resides in the brain, where all the Nerves, or Instruments of Sensation, terminate, like a Musician in a finely fram'd and well-tun'd Organ Case; that these Nerves are like Keys, which, being struck on or touch'd, convey the Sound and Harmon...

— Cheyne, George (1671-1743)

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Date: 1731

"Feeling is nothing but the Impulse, Motion, or Action of Bodies, gently or violently impressing the Extremities or Sides of the Nerves, of the Skin of other parts of the Body, which by their Structure and Mechanism, convey this Motion to the Sentient Principle in the Brain, or the Musician."

— Cheyne, George (1671-1743)

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Date: 1733

"OR, in a more gross Similitude, the Intelligent Principle is like a Bell in a Steeple, to which there are an infinite Number of Hammers all around it, with Ropes of all Lengths, terminating or touching at every Point of the Surface of the Trunk or Case, one of whose Extremities being pull'd or t...

— Cheyne, George (1671-1743)

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Date: 1733

"I have formerly suggested, that the best Similitude I can form of the Nature and Actions of this Principle upon the Organs of its Machin, is that of a skillful Musician playing on a well-tun'd Instrument."

— Cheyne, George (1671-1743)

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Date: January 1739

"Now, if we consider the human mind, we shall find that with regard to the passions, it is not of the nature of a wind instrument of music, which, in running over all the notes, immediately loses the sound after the breath ceases; but rather resembles a string-instrument, where, after each s...

— Hume, David (1711-1776)

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Date: 1742

"What satisfaction, when he looks within, to find the most turbulent passions tuned to just harmony and concord, and every jarring sound banished from this enchanting music!"

— Hume, David (1711-1776)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.