Date: 1701, 1704
"The application of our Thoughts to other Subjects is like looking upon the Rays of the Sun as it shines to us from a Wall, or upon the Image of it as it returns from a Watry Mirrour, but this is looking up directly against the Fons veri lucidus, the bright Source of Intellectual Light a...
preview | full record— Norris, John (1657-1712)
Date: Tuesday, January 15, 1712
"The Pineal Gland, which many of our Modern Philosophers suppose to be the Seat of the Soul, smelt very strong of Essence and Orange-flower Water, and was encompassed with a kind of Horny Substance, cut into a thousand little Faces or Mirrours, which were imperceptible to the naked Eye, insomuch ...
preview | full record— Addison, Joseph (1672-1719)
Date: 1715
"Speech was given to Man as the Image and Interpreter of the Soul: It is anime index & speculum, the Messenger of the Heart, the Gate by which all that is within issues forth, and comes into open View."
preview | full record— Bulstrode, Richard, Sir (1610-1711)
Date: w. 1740, 1748
"Thirsting for Knowledge, but to know the right, / Thro' judgment's optick guide th' illusive sight, / To let in rays on Reason's darkling cell, / And Prejudice's lagging mists dispel."
preview | full record— Walpole, Horatio [Horace], fourth earl of Orford (1717-1797)
Date: 1767, 1784
"The curious structure of these visual orbs, / The windows of the mind; substance how clear, / Aqueous, or crystalline! through which the soul, / As thro' a glass, all outward things surveys."
preview | full record— Jago, Richard (1715-1781)
Date: 1782
"We now perceive every [idea], as it passes, through a small aperture separately, as in the camera obscura, and this we call time; but at the conclusion of this state we may probably exist in a manner quite different; the window may be thrown open, the whole prospect appear at one view, and all t...
preview | full record— Jenyns, Soame (1704-1787)
Date: 1792
"The imagination becomes a camera obscura, only with this difference, that the camera represents objects as they really are; while the imagination, impressed with the most beautiful scenes, and chastened by rules of art, forms it's pictures, not only from the most admirable parts of nature; but i...
preview | full record— Gilpin, William (1724-1804)