Date: 1771

"When we contemplate a Portrait, without thinking of whom it is the Portrait, such Contemplation is analogous to PHANSY. When we view it with reference to the Original, whom it represents, such Contemplation is analogous to MEMORY"

— Harris, James (1709-1780)

Date: 1773

"Thus likewise, when we form to ourselves a notion of the soul, we ever represent it as a thin shade, or subtil matter; in short, as a corporeal being, if we form any image of it at all."

— Marat, Jean-Paul (1743-1793)

Date: 1773

"Nevertheless, if regular imagination requires the elasticity of our organs, it requires it in a less degree than reason; for its objects are neither necessarily dependant on each other, nor closely connected its productions are only detached parts, where the mind has nothing to do but to weave t...

— Marat, Jean-Paul (1743-1793)

Date: 1774

"A multitude of ideas, collected by such an imagination, form a confused chaos, in which inconsistent conceptions are often mixt, conceptions so unsuitable and disproportioned, that they can no more be combined into one regular work, than a number of wheels taken from different watches, can be un...

— Gerard, Alexander (1728-1795)

Date: 1774

"There is in the human mind a strong propensity to make excursions; which may naturally be expected to exert itself most in those who have the greatest quickness and compass of imagination."

— Gerard, Alexander (1728-1795)

Date: 1774

"Thus imagination is no unskilful architect; it collects and chuses the materials; and though they may at first lie in a rude and undigested chaos, it in a great measure, by its own force, by means of its associating power, after repeated attempts and transpositions, designs a regular and well-pr...

— Gerard, Alexander (1728-1795)

Date: 1774

"Were reason only slow in her determinations, in comparison with the quickness with which fancy conceives, like Una's dwarf, lagging behind her far away, even this would greatly impede the work of genius, retard its progress, or stop it altogether by constantly curbing the impetuosity of fancy."

— Gerard, Alexander (1728-1795)

Date: 1774

"Opposite forces in mechanics tend to destroy one another. This is analogous to the case before us. The objects strictly connected with a passion are naturally fit for introducing ideas related to themselves; the passion acts in a contrary direction, and endeavours to keep the mind from running o...

— Gerard, Alexander (1728-1795)

Date: 1774

"A strong perception, like a deep shade of colouring, seems to decay more slowly than one that is faint and delicate; and though it should decay as fast, it would be longer before it were effaced."

— Gerard, Alexander (1728-1795)

Date: 1774

"Because the impression is made quickly, it does not follow that it is strong: a susceptible memory, like a soft body, receives some impression at once, and because this impression is perceivable at once, we are at no pains to deepen it, we allow it to continue slight: when the memory is, as it ...

— Gerard, Alexander (1728-1795)