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Date: 1759

"When music imitates the modulations of grief or joy, it either actually inspires us with those passions, or at least puts us in the mood which disposes us to conceive them. But when it imitates the notes of anger, it inspires us with fear. Joy, grief, love, admiration, devotion, are all of them ...

— Smith, Adam (1723-1790)

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Date: 1759

"Our heart, as it adopts and beats time to his grief, so is it likewise animated with that spirit by which he endeavours to drive away or destroy the cause of it."

— Smith, Adam (1723-1790)

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Date: 1759

"To see the emotions of their hearts, in every respect, beat time to his own, in the violent and disagreeable passions, constitutes his sole consolation."

— Smith, Adam (1723-1790)

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Date: 1759

"Our heart must adopt the principles of the agent, and go along with all the affections which influenced his conduct, before it can intirely sympathize with, and beat time to, the gratitude of the person who has been benefited by his actions."

— Smith, Adam (1723-1790)

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Date: 1761

"Wake my Harp! to melting Measures, / Pour thy softest, sweetest Treasures, / Such as lift the Thoughts on high; / 'Till the rapt Soul, Earth forsaking, / Heaven-ward it's Flight is taking, / On the Wings of Harmony."

— Bickerstaff, Isaac (b. 1733, d. after 1808)

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Date: 1761

"Our General amidst the Noise of War, / Has a Soul tun'd to all the softer Passions."

— Bickerstaff, Isaac (b. 1733, d. after 1808)

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Date: 1760-1761, 1762

"It must, it must surely be, that this jarring discordant life is but the prelude to some future harmony; the soul attuned to virtue here, shall go from hence to fill up the universal choir where Tien presides in person, where there shall be no tyrants to frown, no shackles to bind, nor no whips ...

— Goldsmith, Oliver (1728?-1774)

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Date: 1763 (repr. 1776); 1794 (repr. 1799)

"The power which the mind evidently has of moving the various parts of the body by nerves inserted in the muscles is truly wonderful, seeing the mind neither knows the muscles to be moved, nor the machinery, by which the motion in it is to be produced: so that it is as if a musician should always...

— Doddridge, Philip (1702-1751)

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Date: 1768

"Why does my pulse beat languid as I write this? and what made La Fleur, whose heart seem'd only to be tuned to joy, to pass the back of his hand twice across his eyes, as the woman stood and told it?"

— Sterne, Laurence (1713-1768)

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Date: 1769

"The first reverend sage who delivered himself on this mysterious subject, having stroked his grey beard, and hemmed thrice with great solemnity, declared that the soul was an animal; a second pronounced it to be the number three, or proportion; a third contended for the number seven, or harmony;...

— Smollett, Tobias (1721-1777)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.