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Date: 1755, 1771

"For this, fair hope leads on the' impassion'd soul / Through life's wild labyrinths to her distant goal; / Paints in each dream, to fan the genial flame, / The pomp of riches, and the pride of fame, / Or fondly gives reflection's cooler eye / A glance, an image, of a future sky."

— Cawthorn, James (1719-1761)

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Date: 1755, 1771

"Passions, like colours, have their strength and ease, / Those too insipid, and too gaudy these."

— Cawthorn, James (1719-1761)

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Date: 1755, 1771

"Contrast them, curb them, spread them, or confine, / Ennoble these, and those forbid to shine; / With cooler shades ambition's fire allay, / And mildly melt the pomp of pride away; / Her rainbow robe from vanity remove, / Each pulse congenial with the' informing mind, / Each action station'd in ...

— Cawthorn, James (1719-1761)

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Date: 1774

"I often paint you in my imagination, in your present lontananza, and, while I view you in the light of ancient and modern learning, useful and ornamental knowledge, I am charmed with the prospect; but when I view you in another light, and represent you awkward, ungraceful, ill-bred, with vulgar ...

— Stanhope, Philip Dormer, fourth earl of Chesterfield (1694-1773)

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Date: 1781

"Which, like a skilful artist, goes to work upon the materials furnished by the senses; comparing selecting, analysing, and abstracting; till by placing them in different points of view their fitness, relations, and dependencies are seen."

— Rotheram, John (1725–1789)

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Date: 1781

"But the difference is much greater between the ideas of sense, the materials upon which the mind first begins its work, and the truths produced by its operations, than between the rough marble, and the statue formed by the skill of PHIDIAS."

— Rotheram, John (1725–1789)

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Date: 1781

"Let matter then be allowed to furnish the first materials; the enlightened mind, which by its operations upon these discovers truth, and pursues it through all its distant connections, must have powers as far superiour to that which gave the first impression, as PHIDIAS is superiour to the marble."

— Rotheram, John (1725–1789)

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Date: 1792

"They bade retentive memory on their mind / Impress each image, in distinctive lines / That mock'd erasure."

— Polwhele, Richard (1760-1838)

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Date: 1792

The Roman senators "ne'er essay'd to steal into the heart, / By painting to the feelings"

— Polwhele, Richard (1760-1838)

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Date: 1792

The Roman senators did "Not shew the mental portraiture itself, / By gradual art, thro' fancy's calmer light. / Pure passion dwells not on description's hues"

— Polwhele, Richard (1760-1838)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.