Date: 1764

"The painter, the poet, the actor, the orator, the moralist, and the statesman, attempt to operate upon the mind in different ways, and for different ends; and they succeed, according as they touch properly the strings of the human frame."

— Reid, Thomas (1710-1796)

Date: 1764

"His [Newton's] regulae philosophandi are maxims of common sense, and are practised every day in common life; and he who philosophizes by other rules, either concerning the material system, or concerning the mind, mistakes his aim."

— Reid, Thomas (1710-1796)

Date: 1764

"All that we know of the body, is owing to anatomical dissection and observation, and it must be by an anatomy of the mind that we can discover its powers and principles."

— Reid, Thomas (1710-1796)

Date: 1764

"But the anatomist of the mind cannot have the same advantage."

— Reid, Thomas (1710-1796)

Date: 1783

"But as his imagination was strong and rich, rather than delicate and correct, he sometimes gives it too loose reins."

— Blair, Hugh (1718-1800)

Date: 1783

"From reading the most admired productions of genius, whether in poetry or prose, almost every one rises with some good impressions left on his mind; and though these may not always be durable, they are at least to be ranked among the means of disposing the heart to virtue."

— Blair, Hugh (1718-1800)

Date: 1783

"There is a certain string, which, being properly struck, the human heart is so made as to answer to it."

— Blair, Hugh (1718-1800)

Date: 1783

"Although there may be some few exceptions, yet in general it holds, that when the bent of the mind is wholly directed towards some one object, exclusive, in a manner, of others, there is the fairest prospect of eminence in that, whatever it be. The rays must converge to a point, in order to glow...

— Blair, Hugh (1718-1800)

Date: 1783

"Hence infinite space, endless numbers, and eternal duration, fill the mind with great ideas."

— Blair, Hugh (1718-1800)

Date: 1783

"There is, too, in architecture, what is called Greatness of manner; which seems chiefly to arise, from presenting the object to us in one full point of view; so that it shall make its impression whole, entire, and undivided, upon the mind."

— Blair, Hugh (1718-1800)