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Date: 1790

"She lamented that Mr. Seymour's character, which appeared open, liberal, and elevated, should so ill bear a close inspection; and that his mind resembled one of those pictures which must be viewed by the dim light of a taper; since their coarse and glaring colours, which attract the eye in the d...

— Williams, Helen Maria (1759-1827)

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Date: 1790

"Suspicion is like a mist, which renders the object it shades so uncertain, that the figure must be finished by imagination; and, when distrust takes the pencil, the strokes are generally so dark, that the disappointed heart sickens at the picture."

— Williams, Helen Maria (1759-1827)

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Date: 1791

"Fancy paints with hues unreal,/ Smile of bliss, and sorrow's mood."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1792

"The lively heated imagination likewise, to apply the comparison, draws the picture of love, as it draws every other picture, with those glowing colours, which the daring hand will steal from the rainbow, that is directed by a mind, condemned in a world like this, to prove its noble origin by pan...

— Wollstonecraft, Mary (1759-1797)

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Date: 1792

"The understanding, it is true, may keep us from going out of drawing when we group our thoughts, or transcribe from the imagination and warm sketches of fancy; but the animal spirits, the individual character, give the colouring."

— Wollstonecraft, Mary (1759-1797)

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Date: 1793

"[Y]et, half repentant now / Her headlong haste, she wishes she had staid / To die with those affrighted Fancy paints / The lawless soldiers' victims."

— Smith, Charlotte (1749-1806)

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Date: 1794

"As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"St. Aubert smiled, and sighed at the romantic picture of felicity his fancy drew; and sighed again to think, that nature and simplicity were so little known to the world, as that their pleasures were thought romantic."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"On the distant horizon to the south, she discovered the wild summits of the Pyrenées, and her fancy immediately painted the green pastures of Gascony at their feet."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"And here, other forms of beauty and of grandeur, such as her imagination had never painted, were unfolded to Emily in the palaces of Sansovino and Palladio, as she glided along the waves."

— Radcliffe [née Ward], Ann (1764-1823)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.