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Date: 1794

"On the distant horizon to the south, she discovered the wild summits of the Pyrenées, and her fancy immediately painted the green pastures of Gascony at their feet."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"And here, other forms of beauty and of grandeur, such as her imagination had never painted, were unfolded to Emily in the palaces of Sansovino and Palladio, as she glided along the waves."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"Schedoni's hood was now thrown back, so that he could not compare even the air of their heads under similar circumstances; but as he remembered to have seen the confessor on a former day approaching his mother's closet with the cowl shading his face, the same gloomy severity seemed to characteri...

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"Of the walls that enclosed her, he scarcely ever lost sight; the view of them seemed to cherish his hopes, and, while he gazed upon their rugged surface, Ellena alone was pictured on his fancy; till his anxiety to learn her disposition towards him arose to agony, and he would abruptly leave the ...

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"Over the gloom of Schedoni, no scenery had, at any moment, power; the shape and paint of external imagery gave neither impression or colour to his fancy."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"The plan, which he had mentioned, seemed to her long-harassed mind to exile her for ever from happiness, and all that was dear to her affections; it appeared like a second banishment to San Stefano, and every abbess, except that of La PietĂ , came to her imagination in the portraiture of an inexo...

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"As, at length, she drew near Naples, her emotions became more various and powerful; and when she distinguished the top of Vesuvius peering over every intervening summit, she wept as her imagination charactered all the well-known country it overlooked."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"The Marchesa reclined on a sofa before an open lattice; her eyes were fixed upon the prospect without, but her attention was wholly occupied by the visions that evil passions painted to her imagination."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1797

"As, from beneath the light foliage of the accacias, or the more majestic shade of the plane-trees that waved their branches over the many-coloured cliffs of this terrace, Ellena looked down upon the magnificent scenery of the bay; it brought back to memory, in sad yet pleasing detail, the many h...

— Radcliffe [née Ward], Ann (1764-1823)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.