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Date: 1871-2, 1874

"How was it that in the weeks since her marriage, Dorothea had not distinctly observed but felt with a stifling depression, that the large vistas and wide fresh air which she had dreamed of finding in her husband's mind were replaced by anterooms and winding passages which seemed to lead nowhither?"

— Eliot, George (1819-1880)

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Date: 1871-2, 1874

"Dorothea by this time had looked deep into the ungauged reservoir of Mr Casaubon's mind, seeing reflected there in vague labyrinthine extension every quality she herself brought; had opened much of her own experience to him, and had understood from him the scope of his great work, also of attrac...

— Eliot, George (1819-1880)

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Date: 1890

"The soul selects her own society, / Then shuts the door; / On her divine majority / Obtrude no more."

— Dickinson, Emily (1830-1886)

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Date: 1892

"So, safer, guess, with just my soul / Upon the window-pane / Where other creatures put their eyes, / Incautious of the sun."

— Dickinson, Emily (1830-1886)

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Date: 1892

"A deed knocks first at thought, / And then it knocks at will."

— Dickinson, Emily (1830-1886)

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Date: 1892

"It then goes out an act, / Or is entombed so still / That only to the ear of God / Its doom is audible."

— Dickinson, Emily (1830-1886)

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Date: 1892

"The body grows outside,-- / The more convenient way,-- / That if the spirit like to hide, / Its temple stands alway // Ajar, secure, inviting."

— Dickinson, Emily (1830-1886)

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Date: 1892

"One need not be a chamber to be haunted, / One need not be a house; / The brain has corridors surpassing / Material place."

— Dickinson, Emily (1830-1886)

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Date: 1893

A woman's nature "is like a great house full of rooms ... and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes."

— Wharton, Edith (1862-1937)

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Date: w. c. 1871, 1896

"Remembrance has a Rear and Front -- / 'Tis something like a House / It has a Garret also / For Refuse and the Mouse.."

— Dickinson, Emily (1830-1886)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.