"There are a thousand things to be said of the Advantages this generous Passion brings to those, whose Hearts are capable of receiving its soft Impressions."

— Behn, Aphra (1640?-1689)


Place of Publication
London
Publisher
Printed by R. Holt, for Will. Canning
Date
1688
Metaphor
"There are a thousand things to be said of the Advantages this generous Passion brings to those, whose Hearts are capable of receiving its soft Impressions."
Metaphor in Context
There are a thousand things to be said of the Advantages this generous Passion brings to those, whose Hearts are capable of receiving its soft Impressions: for 'tis not every one that can be sensible of its tender Touches. How many Examples, from History and Observation, cou'd I give of its wondrous power; nay, even to a degree of Transmigration? How many Ideots has it made wise? How many Fools, eloquent? How many home-bread Squires, accomplish'd? How many Cowards, brave? And there is no sort or Species of Mankind, on whom it cannot work some Change and Miracle, if it be a noble, wellgrounded Passion, except on the Fop in fashion; the harden'd, incorrigible Fop; so often wounded, but never reclaim'd: For still, by a dire Mistake, conducted by vast Opinionatreism, and a greater portion of Self-Love, than the rest of the Race of Man, he believes that Affectation in his Mein and Dress, that Mathematical Movement, that Formality in every Action, that Face managed with Care, and softned into Ridicule, the languishing Turn, the Toss, and the Back shake of the Periwigg, is the direct Way to the Heart of the fine Person he adores; and instead of curing Love in his Soul, serves only to advance his Folly; and the more he is enamour'd, the more industriously he assumes (every Hour) the Coxcomb. These are Love's Play-things, a sort of Animals with whom he sports; and whom he never wounds, but when he is in good humour, and always shoots laughing. 'Tis the Diversion of the little God, to see what a fluttering and bustle one of these Sparks, new-wounded, makes; to what fantastick Fooleries he has recourse: The Glass is every moment call'd to Counsel, the Vallet consulted and plagu'd for new Invention of Dress, the Foot-man and Scrutore perpetually employ'd; Billetdoux and Madrigals take up all his Mornings, till Play-time in Dressing, till Night in Gazing; still, like a Sun-flower, turn'd towards the Beams of the fair Eyes of his Celia, adjusting himself in the most Amorous Posture he can assume, his Hat under his Arm, while the other Hand is put carelesly into his Bosom, as if laid upon his panting Heart; his Head a little bent to one side, supported with a world of Crevat-string, which he takes mighty care not to put into Disorder; as one may guess by a never-sailing, and horrid Stiffness in his Neck; and if he have an occasion to look aside, his whole Body turns at the same time, for fear the motion of the Head alone shou'd incommode the Crevat or Periwigg: And sometimes the Glove is well manag'd, and the white Hand displayed. Thus, with a thousand other little Motions and Formalities, all in the common Place or Rode of Foppery, he takes infinite pains to shew himself to the Pit and Boxes, a most accomplish'd Ass. This is he, of all Humane Kind, on whom Love can do no Miracles; and who can no where, and upon no Occasion, quit one Grain of his refin'd Foppery, unless in a Duel, or a Battle, if ever his Stars shou'd be so severe and ill-manner'd, to reduce him to the necessity of either: Fear then wou'd ruffle that fine Form he had so long preserved in nicest Order, with grief considering, that an unlucky, Chance-Wound in his Face, if such a dire Misfortune shou'd befal him, wou'd spoil the Sale of it for ever.
(pp. 2-5)
Categories
Provenance
Reading
Citation
The Fair Jilt, or, the History of Prince Tarquin and Miranda Written by Mrs. A. Behn. (London: Printed by R. Holt, for Will. Canning ..., 1688). <Link to EEBO-TCP>
Date of Entry
08/28/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.