"There is yet another Circumstance which recommends a Description more than all the rest, and that is if it represents to us such Objects as are apt to raise a secret Ferment in the Mind of the Reader, and to work, with Violence, upon his Passions."
— Addison, Joseph (1672-1719)
Author
Date
Monday, June 30, 1712
Metaphor
"There is yet another Circumstance which recommends a Description more than all the rest, and that is if it represents to us such Objects as are apt to raise a secret Ferment in the Mind of the Reader, and to work, with Violence, upon his Passions."
Metaphor in Context
There is yet another Circumstance which recommends a Description more than all the rest, and that is if it represents to us such Objects as are apt to raise a secret Ferment in the Mind of the Reader, and to work, with Violence, upon his Passions. For, in this Case, we are at once warmed and enlightened, so that the Pleasure becomes more Universal, and is several ways qualified to entertain us. Thus in Painting, it is pleasant to look on the Picture of any Face, where the Resemblance is hit, but the Pleasure increases, if it be the Picture of a Face that is Beautiful, and is still greater, if the Beauty be softened with an Air of Melancholy or Sorrow. The two leading Passions which the more serious Parts of Poetry endeavour to stir up in us, are Terror and Pity. And here, by the way, one would wonder how it comes to pass, that such Passions as are very unpleasant at all other times, are very agreeable when excited by proper Descriptions. It is not strange, that we should take Delight in such Passions as are apt to produce Hope, Joy, Admiration, Love, or the like Emotions in us, because they never rise in the Mind without an inward Pleasure which attends them. But how comes it to pass, that we should take delight in being terrified or dejected by a Description, when we find so much Uneasiness in the Fear or Grief which1 we receive from any other Occasion?
(Cf. III, pp. 567-8 in Bond ed.)
(Cf. III, pp. 567-8 in Bond ed.)
Categories
Provenance
Searching in Project Gutenberg (PGDP) e-text. Confirmed in Bond.
Citation
At least 80 entries in ESTC (1711, 1712, 1713, 1714, 1715, 1716, 1717, 1718, 1720, 1721, 1723, 1724, 1726, 1729, 1733, 1734, 1735, 1737, 1738, 1744, 1745, 1747, 1748, 1749, 1750, 1753, 1754, 1755, 1756, 1756, 1757, 1761, 1763, 1765, 1766, 1767, 1769, 1771, 1776, 1778, 1785, 1788, 1789, 1781, 1793, 1797, 1799, 1800).
By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).
Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>
Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).
Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>
Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
Date of Entry
06/06/2014
