"The same Mistakes may likewise be observed in Scarron, the Arabian Nights, the 'History of Marianne' and 'Le Paisan Parvenu', and perhaps some few other Writers of this Class, whom I have not read, or do not at present recollect; for I would by no means be thought to comprehend those great Genius's the Authors of immense Romances, or the modern Novel and 'Atalantis' Writers; who without any Assistance from Nature or History, record Persons who never were, or will be, and Facts which never did nor possibly can happen: Whose Heroes are of their own Creation, and their Brains the Chaos whence all their Materials are collected."

— Fielding, Henry (1707-1754)


Place of Publication
London
Publisher
Printed for A. Millar
Date
1742
Metaphor
"The same Mistakes may likewise be observed in Scarron, the Arabian Nights, the 'History of Marianne' and 'Le Paisan Parvenu', and perhaps some few other Writers of this Class, whom I have not read, or do not at present recollect; for I would by no means be thought to comprehend those great Genius's the Authors of immense Romances, or the modern Novel and 'Atalantis' Writers; who without any Assistance from Nature or History, record Persons who never were, or will be, and Facts which never did nor possibly can happen: Whose Heroes are of their own Creation, and their Brains the Chaos whence all their Materials are collected."
Metaphor in Context
Notwithstanding the Preference which may be vulgarly given to the Authority of those Romance-Writers, who intitle their Books, the History of England, the History of France, of Spain, &c. it is most certain, that Truth is only to be found in their Works who celebrate the Lives of Great Men, and are commonly called Biographers, as the others should indeed be termed Topographers or Chorographers: Words which might well mark the Distinction between them; it being the Business of the latter chiefly to describe Countries and Cities, which, with the Assistance of Maps, they do pretty justly, and may be depended upon: But as to the Actions and Characters of Men, their Writings are not quite so authentic, of which there needs no other Proof than those eternal Contradictions, occurring between two Topographers who undertake the History of the same Country: For instance, between my Lord Clarendon and Mr. Whitlock, between Mr. Echard and Rapin, and many others; where Facts being set forth in a different Light, every Reader believes as he pleases, but all agree in the Scene, where it is supposed to have happen'd. Now with us Biographers the Case is different, the Facts we deliver may be relied on, tho' we often mistake the Age and Country wherein they happened: For tho' it may be worth the Examination of Critics, whether the Shepherd Chrysostom, who, as Cervantes informs us, died for Love of the fair Marcella, who hated him; was ever in Spain, will any one doubt but that such a silly Fellow hath really existed. Is there in the World such a Sceptic as to disbelieve the Madness of Cardenio, the Perfidy of Ferdinand, the impertinent Curiosity of Anselmo, the Weakness of Camilla, the irresolute Friendship of Lothario ; tho' perhaps as to the Time and Place where those several Persons lived, that good Historian may be deplorably deficient: But the most known Instance of this kind is in the true History of Gil-Blas, where the inimitable Biographer hath made a notorious Blunder in the Country of Dr. Sangrado, who used his Patients as a Vintner doth his Wine-Vessels, by letting out their Blood, and filling them up with Water. The same Writer hath likewise erred in the Country of his Archbishop, as well as that of those great Personages whose Understandings were too sublime to taste any thing but Tragedy, and perhaps in many others. The same Mistakes may likewise be observed in Scarron, the Arabian Nights, the History of Marianne and Le Paisan Parvenu, and perhaps some few other Writers of this Class, whom I have not read, or do not at present recollect; for I would by no means be thought to comprehend those great Genius's the Authors of immense Romances, or the modern Novel and Atalantis Writers; who without any Assistance from Nature or History, record Persons who never were, or will be, and Facts which never did nor possibly can happen: Whose Heroes are of their own Creation, and their Brains the Chaos whence all their Materials are collected. Not that such Writers deserve no Honour; so far otherwise, that perhaps they merit the highest: for what can be nobler than to be as an Example of the wonderful Extent of human Genius. One may apply to them what Balzac says of Aristotle, that they are a second Nature; for they have no Communication with the first; by which Authors of an inferiour Class, who can not stand alone, are obliged to support themselves as with Crutches; but these of whom I am now speaking, seem to be possessed of those Stilts, which the excellent Voltaire tells us in his Letters carry the Genius far off, but with an irregular Pace. Indeed far out of the sight of the Reader,

Beyond the Realm of Chaos and old Night.

But, to return to the former Class, who are contented to copy Nature, instead of forming Originals from their confused heap of Matter in their own Brains; is not such a Book as that which records the Atchievements of the renowned Don Quixotte, more worthy the Name of a History than even Mariana's; for whereas the latter is confined to a particular Period of Time, and to a particular Nation; the former is the History of the World in general, at least that Part which is polished by Laws, Arts and Sciences; and of that from the time it was first polished to this day; nay and forwards, as long as it shall so remain.
(II.iii.i, pp. 1-5)
Provenance
Reading
Citation
Text from Henry Fielding, The History of the Adventures of Joseph Andrews, And of his Friend Mr. Abraham Adams. Written in Imitation of The Manner of Cervantes, Author of Don Quixote, 2 vols. (London: Printed for A. Millar, 1742). <Link to ECCO>

See also Henry Fielding, The History of the Adventures of Joseph Andrews and An Apology for the Life of Shamela Andrews, ed. Douglas Brooks-Davies. World Classics Edition (Oxford: Oxford UP, 1980).
Date of Entry
09/19/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.