"So was the Monarchs heart for passion moulded, / So apt to take at first the soft impression."

— Rowe, Nicholas (1674-1718)


Place of Publication
London
Publisher
Printed for R. Wellington and Thomas Osborne
Date
1700, 1702
Metaphor
"So was the Monarchs heart for passion moulded, / So apt to take at first the soft impression."
Metaphor in Context
MIRZA.
Indeed I did, then favour'd by the King,
And by that means a sharer in the secret.
'Twas on a day of publick Festival,
When Beauteous Artemisa stood to view,
Behind the Covert of a Golden Lattice,
When King and Court returning from the Temple;
When just as by her stand Arsaces past,
The Windows, by design or chance, fell down,
And to his view expos'd her blushing Beauties.
She seem'd surpriz'd, and presently withdrew,
But ev'n that moment was an age in Love:
So was the Monarchs heart for passion moulded,
So apt to take at first the soft impression.

Soon as we were alone, I found the Evil
Already past a Remedy, and vainly
Urg'd the resentment of her Injur'd Lord:
His Love was deaf to all.
(I.i, pp. 3-4)
Provenance
C-H Lion
Citation
First performed December, 1700. Twenty-three entries in ESTC (1701, 1702, 1714, 1715, 1720, 1726, 1727, 1728, 1733, 1735, 1760, 1761, 1764, 1777, 1781, 1790, 1792, 1795).

The second edition includes "the addition of a new scene." The Ambitious Step-Mother. A Tragedy. As it is Acted at the New Theatre in Little-Lincolns-Inn-Fields. By Her Majesties Servants. Written by N. Rowe, 2nd edition (London: Printed for R. Wellington and Thomas Osborne, 1702). <Link to ECCO>
Date of Entry
07/21/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.