"Deep-roused, I feel / A sacred terror, a severe delight, / Creep through my mortal frame; and thus, me-thinks, / A voice than human more, the abstracted ear / Of fancy strikes."

— Thomson, James (1700-1748)


Work Title
Place of Publication
London
Publisher
Printed for J. Millan
Date
1727
Metaphor
"Deep-roused, I feel / A sacred terror, a severe delight, / Creep through my mortal frame; and thus, me-thinks, / A voice than human more, the abstracted ear / Of fancy strikes."
Metaphor in Context
Shook sudden from the bosom of the sky,
A thousand shapes or glide athwart the dusk,
Or stalk majestic on. Deep-roused, I feel
A sacred terror, a severe delight,
Creep through my mortal frame; and thus, me-thinks,
A voice than human more, the abstracted ear
Of fancy strikes
:---"Be not of us afraid,
Poor kindred man! thy fellow-creatures, we
From the same Parent-Power our beings drew,
The same our Lord, and laws, and great pursuit.
Once some of us, like thee, through stormy life,
Toil'd, tempest-beaten, ere we could attain
This holy calm, this harmony of mind,
Where purity and peace immingle charms.
Then fear not us; but with responsive song,
Amid these dim recesses, undisturb'd
By noisy folly and discordant vice,
Of Nature sing with us, and Nature's God.
Here frequent, at the visionary hour,
When musing midnight reigns or silent noon,
Angelic harps are in full concert heard,
And voices chanting from the wood-crown'd hill,
The deepening dale, or inmost sylvan glade:
A privilege bestow'd by us, alone,
On Contemplation, or the hallow'd ear
Of poet, swelling to seraphic strain."
(pp. 51-2 in Sambrook, pp. 39-40 in original)
Categories
Provenance
Reading; text from C-H Lion
Citation
At least 7 entries in ESTC (1727, 1728, 1730, 1731, 1735, 1740). [Also issued as part of The Four Seasons, and Other Poems.]

Poem first published as Summer. A Poem. By James Thomson. (London: Printed for J. Millan, 1727). Second edition in 1728.

Text revised between 1727 and 1746. Searching text from The Poetical Works (1830), checked against earlier editions. Also reading James Sambrook's edition of The Seasons and The Castle of Indolence (Oxford: Clarendon Press, 1972), which reproduces the 1746 edition of Thomson's poem.

Collected in The Seasons, A Hymn, A Poem to the Memory of Sir Isaac Newton, and Britannia, a Poem. By Mr. Thomson (1730). <Link to ECCO>
Date of Entry
07/07/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.