"Ever since your Spectator of Tuesday last came into our Family, my Husband is pleased to call me his Oceana, because the foolish old Poet that you have translated says, That the Souls of some Women are made of Sea-Water. This, it seems, has encouraged my Sauce-Box to be witty upon me."

— Addison, Joseph (1672-1719)


Work Title
Date
Thursday, November 1, 1711
Metaphor
"Ever since your Spectator of Tuesday last came into our Family, my Husband is pleased to call me his Oceana, because the foolish old Poet that you have translated says, That the Souls of some Women are made of Sea-Water. This, it seems, has encouraged my Sauce-Box to be witty upon me."
Metaphor in Context
Sir,

'Ever since your Spectator of Tuesday last came into our Family, my Husband is pleased to call me his Oceana, because the foolish old Poet that you have translated says, That the Souls of some Women are made of Sea-Water. This, it seems, has encouraged my Sauce-Box to be witty upon me. When I am angry, he cries Pr'ythee my Dear be calm; when I chide one of my Servants, Pr'ythee Child do not bluster. He had the Impudence about an Hour ago to tell me, That he was a Sea-faring Man, and must expect to divide his Life between Storm and Sunshine. When I bestir myself with any Spirit in my Family, it is high Sea in his House; and when I sit still without doing any thing, his Affairs forsooth are Wind-bound. When I ask him whether it rains, he makes Answer, It is no Matter, so that it be fair Weather within Doors. In short, Sir, I cannot speak my Mind freely to him, but I either swell or rage, or do something that is not fit for a civil Woman to hear. Pray, Mr. Spectator, since you are so sharp upon other Women, let us know what Materials your Wife is made of, if you have one. I suppose you would make us a Parcel of poor-spirited tame insipid Creatures; but, Sir, I would have you to know, we have as good Passions in us as your self, and that a Woman was never designed to be a Milk-Sop.

Martha Tempest.
Provenance
Reading
Citation
At least 80 entries in ESTC (1711, 1712, 1713, 1714, 1715, 1716, 1717, 1718, 1720, 1721, 1723, 1724, 1726, 1729, 1733, 1734, 1735, 1737, 1738, 1744, 1745, 1747, 1748, 1749, 1750, 1753, 1754, 1755, 1756, 1756, 1757, 1761, 1763, 1765, 1766, 1767, 1769, 1771, 1776, 1778, 1785, 1788, 1789, 1781, 1793, 1797, 1799, 1800).

By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).

Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>

Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
Date of Entry
06/17/2013

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.