"Yet adamantine souls, and iron forms, / Hard brac'd by toil, and nurst among the storms, / Whom pleasure ne'er could melt, or terror freeze, / Can trace undaunted even such scenes as these"

— Grant [née MacVicar], Anne (1755-1838)


Place of Publication
London
Publisher
Printed by C. Whittingham ... for Longman, Hurst, Rees, and Orme [etc.]
Date
1808
Metaphor
"Yet adamantine souls, and iron forms, / Hard brac'd by toil, and nurst among the storms, / Whom pleasure ne'er could melt, or terror freeze, / Can trace undaunted even such scenes as these"
Metaphor in Context
Now, though their herds excite their anxious care,
Tir'd Labour slumbers with the shining share:
Short while they ply the flail, the scanty corn,
Dealt out with frugal care, employs the morn:
But social glee, around the cheerful hearth,
Lets loose the careless soul of rural mirth:
Bright burns the hearth, th' enlivening torches blaze,
The pipes awake the notes of former days:
Again they feel their ancient spirit rise,
And courage fires, or pity melts their eyes,
As love or war alternate swells the sound,
And hearts dilate, and bosoms glow around:
Yet even while frost comes bitter on the breeze,
Not all their nights are spent in social ease.
Some bolder spirits of the hardy race,
O'er snow-clad mountains wake the dangerous chase;
And some advent'rous youths, with fearless mind,
All thoughts of ease and safety leave behind,
The pathless wilds for wandering steers explore,
Climb the steep rock where nestling Falcons soar,
And heights by human feet untrod before.
There, danger threats in every hideous form,
There groans the Genius of the gathering storm;
And solitude forlorn, and frantic fear,
And howling blasts, and echoing caves are there.
Yet adamantine souls, and iron forms,
Hard brac'd by toil, and nurst among the storms,
Whom pleasure ne'er could melt, or terror freeze,
Can trace undaunted even such scenes as these
;
Amidst the rattling hail erect their head,
And view serene the dwelling of the dead.
Where chiefs, who bore of old a mighty name,
In four grey stones concentre all their fame;
Where sleeps the hunter on the hill of heath,
By fancy pictur'd in the misty wreath,
Dim hovering o'er the narrow bed of death.
Yet when the wearied storm has spent its wrath,
Patient he still explores th' adjacent Strath:
By the pale moon he tracks the famish'd hare,
Who seeks among the cots her scanty fare:
At length, a distant light his steps invites,
To share the wonted hospitable rites;
Where plenteous cheer, and welcome's genial smiles,
In simple guise the wanderer's care beguiles;
The timely aid, the long-remember'd feast,
Are deep upon the stranger's mind impress'd,
And hope and gratitude distend his breast.
Deep in a narrow vale, unknown to song,
Where Maeshy leads her lucid stream along,
Then turns, as if unwilling to forsake
The peaceful bosom of her parent lake,
While her pure streams the polish'd pebbles show,
That through the native crystal shine below;
Upon her flow'ry banks there dwelt a Swain,
Who liv'd a stranger to the cultur'd plain:
He mov'd with active ease, and artless grace,
And manly spirit brighten'd in his face.
Fair on his cheek appear'd youth's mantling glow,
While lines of stedfast thought had mark'd his brow:
Alone, superior in the sylvan reign,
'Twas his to lead the life that poets feign,
Amidst luxuriant fruits, and crystal springs,
"Where the free soul looks down to pity kings."
Yet while through woods and mountains wont to rove,
The pious youth excell'd in filial love;
For his lov'd parents, and their duteous race,
He search'd the flood, or urg'd the vent'rous chase:
And while o'er distant moors he lov'd to roam,
The fruit of all his toils enrich'd their home:
For them the deer resign'd his ample hide,
For them th' enamell'd roes their beauteous pride,
The otter's costly fur, the dappled fawn,
The leveret wounded in the dewy dawn:
No sylvan game their Farquhar's pow'r withstood,
Who reign'd despotic o'er the pathless wood.
Categories
Provenance
Searching in HDIS (Poetry)
Date of Entry
01/18/2006

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.