"However we may be hurried away by the spectacle; whatever dominion the senses and imagination may usurp over the reason, there still lurks at the bottom a certain idea of falsehood in the whole of what we see"

— Hume, David (1711-1776)


Work Title
Place of Publication
London and Edinburgh
Date
1757, 1777
Metaphor
"However we may be hurried away by the spectacle; whatever dominion the senses and imagination may usurp over the reason, there still lurks at the bottom a certain idea of falsehood in the whole of what we see"
Metaphor in Context
"Pleasure and pain," says he, "which are two sentiments so different in themselves, differ not so much in their cause. From the instance of tickling, it appears, that the movement of pleasure, pushed a little too far, becomes pain; and that the movement of pain, a little moderated, becomes pleasure. Hence it proceeds, that there is such a thing as a sorrow, soft and agreeable: It is a pain weakened and diminished. The heart likes naturally to be moved and affected. Melancholy objects suit it, and even disastrous and sorrowful, provided they are softened by some circumstance. It is certain, that, on the theatre, the representation has almost the effect of reality; yet it has not altogether that effect. However we may be hurried away by the spectacle; whatever dominion the senses and imagination may usurp over the reason, there still lurks at the bottom a certain idea of falsehood in the whole of what we see. This idea, though weak and disguised, suffices to diminish the pain which we suffer from the misfortunes of those whom we love, and to reduce that affliction to such a pitch as converts it into a pleasure. We weep for the misfortune of a hero, to whom we are attached. In the same instant we comfort ourselves, by reflecting, that it is nothing but a fiction: And it is precisely that mixture of sentiments, which composes an agreeable sorrow, and tears that delight us. But as that affliction, which is caused by exterior and sensible objects, is stronger than the consolation which arises from an internal reflection, they are the effects and symptoms of sorrow, that ought to predominate in the composition."
(quoting Fontenelle; cf. pp. 188-189 in 1757 printing)
Provenance
Searching Past Masters
Citation
At least 12 entries in ESTC (1757, 1758, 1760, 1764, 1768, 1770, 1777, 1779, 1780, 1784, 1793, 1800).

First published in Four Dissertations. I. The Natural History of Religion. II. Of the Passions. III. Of Tragedy. IV. Of the Standard of Taste. By David Hume, Esq. (London: Printed for A. Millar, in the Strand, 1757). <Link to ESTC>

Text from Past Masters and Online Library of Liberty. Reading Essays, Moral, Political and Literary, rev. ed. (Indianapolis: Liberty Fund, 1987). The Liberty Fund editor, Eugene F. Miller, takes the 1777 edition of Hume's essays as his copy text.
Date of Entry
04/13/2006

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.