"Defil'd to such a depth of sordid shame / The native honours of the human soul, / Nor so effac'd the image of its sire."

— Akenside, Mark (1720-1771)


Place of Publication
London
Date
1744, 1772, 1795
Metaphor
"Defil'd to such a depth of sordid shame / The native honours of the human soul, / Nor so effac'd the image of its sire."
Metaphor in Context
There let thy soul acknowledge its complaint
How blind, how impious! There behold the ways
Of heaven's eternal destiny to man,
For ever just, benevolent and wise:
That virtue's awful steps, howe'er pursu'd
By vexing fortune and intrusive pain,
Should never be divided from her chaste,
Her fair attendant, pleasure. Need i urge
Thy tardy thought through all the various round
Of this existence, that thy softening soul
At length may learn what energy the hand
Of virtue mingles in the bitter tide
Of passion swelling with distress and pain,
To mitigate the sharp with gracious drops
Of cordial pleasure? Ask the faithful youth,
Why the cold urn of her whom long he lov'd
So often fills his arms; so often draws
His lonely footsteps at the silent hour,
To pay the mournful tribute of his tears?
O! he will tell thee, that the wealth of worlds
Should ne'er seduce his bosom to forego
That sacred hour, when, stealing from the noise
Of care and envy, sweet remembrance sooths
With virtue's kindest looks his aking breast,
And turns his tears to rapture.--Ask the croud
Which flies impatient from the village-walk
To climb the neighbouring cliffs, when far below
The cruel winds have hurl'd upon the coast
Some helpless bark; while sacred pity melts
The general eye, or terror's icy hand
Smites their distorted limbs and horrent hair;
While every mother closer to her breast
Catches her child, and pointing where the waves
Foam through the shatter'd vessel, shrieks aloud
As one poor wretch that spreads his piteous arms
For succour, swallow'd by the roaring surge,
As now another, dash'd against the rock,
Drops lifeless down: o! deemest thou indeed
No kind endearment here by nature given
To mutual terror and compassion's tears?
No sweetly-melting softness which attracts,
O'er all that edge of pain, the social powers
To this their proper action and their end?
--Ask thy own heart; when at the midnight hour,
Slow through that studious gloom thy pausing eye
Led by the glimmering taper moves around
The sacred volumes of the dead, the songs
Of Grecian bards, and records writ by fame
For Grecian heroes, where the present power
Of heaven and earth surveys the immortal page,
Even as a father blessing, while he reads
The praises of his son. If then thy soul,
Spurning the yoke of these inglorious days,
Mix in their deeds and kindle with their flame;
Say, when the prospect blackens on thy view,
When rooted from the base, heroic states
Mourn in the dust and tremble at the frown
Of curst ambition; when the pious band
Of youths who fought for freedom and their sires,
Lie side by side in gore; when ruffian pride
Usurps the throne of justice, turns the pomp
Of public power, the majesty of rule,
The sword, the laurel, and the purple robe,
To slavish empty pageants, to adorn
A tyrant's walk, and glitter in the eyes
Of such as bow the knee; when honour'd urns
Of patriots and of chiefs, the awful bust
And storied arch, to glut the coward-rage
Of regal envy, strew the public way
With hallow'd ruins; when the Muse's haunt,
The marble porch where wisdom wont to talk
With Socrates or Tully, hears no more,
Save the hoarse jargon of contentious monks,
Or female superstition's midnight prayer;
When ruthless rapine from the hand of time
Tears the destroying scythe, with surer blow
To sweep the works of glory from their base;
Till desolation o'er the grass-grown street
Expands his raven-wings, and up the wall,
Where senates once the price of monarchs doom'd,
Hisses the gliding snake through hoary weeds
That clasp the mouldering column; thus defac'd,
Thus widely mournful when the prospect thrills
Thy beating bosom, when the patriot's tear
Starts from thine eye, and thy extended arm
In fancy hurls the thunderbolt of Jove
To fire the impious wreath on Philip's brow,
Or dash Octavius from the trophied car;
Say, does thy secret soul repine to taste
The big distress? Or would'st thou then exchange
Those heart-ennobling sorrows for the lot
Of him who sits amid the gaudy herd
Of mute barbarians bending to his nod,
And bears aloft his gold-invested front,
And says within himself, "I am a king,
"And wherefore should the clamorous voice of woe
"Intrude upon mine ear?--" The baleful dregs
Of these late ages, this inglorious draught
Of servitude and folly, have not yet,
Blest be the eternal ruler of the world!
Defil'd to such a depth of sordid shame
The native honours of the human soul,
Nor so effac'd the image of its sire
.
(Bk. II, ll. 669-771, pp. 79-84)
Provenance
Found searching in HDIS (Poetry); note, variants: in 1772 Dublin edition of the Poems, "native judgment"; likewise in 1781 Works: "native judgment." Confirmed in ECCO and ECCO-TCP. The metaphor appears in Barbauld's edition of the poem and throughout the nineteenth century.
Citation
Over 33 entries in the ESTC (1744, 1748, 1754, 1758, 1759, 1763, 1765, 1767, 1768, 1769, 1771, 1775, 1777, 1780, 1786, 1788, 1794, 1795, 1796). At least five editions in 1744.

Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>

Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>

Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Date of Entry
01/07/2004
Date of Review
06/13/2011

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.