A "marvelous light, unenjoy'd of old, is pour'd on us by revelation, with larger prospects extending our Understanding, with brighter objects enriching our Imagination, with an inestimable prize setting our Passions on fire, thus strengthening every power that enables composition to shine."

— Young, Edward (bap. 1683, d. 1765)


Place of Publication
London
Publisher
A. Millar and R. and J. Dodsley
Date
1759
Metaphor
A "marvelous light, unenjoy'd of old, is pour'd on us by revelation, with larger prospects extending our Understanding, with brighter objects enriching our Imagination, with an inestimable prize setting our Passions on fire, thus strengthening every power that enables composition to shine."
Metaphor in Context
And why not? For, consider, since an impartial Providence scatters talents indifferently, as thro' all orders of persons, so thro' all periods of time; since, a marvelous light, unenjoy'd of old, is pour'd on us by revelation, with larger prospects extending our Understanding, with brighter objects enriching our Imagination, with an inestimable prize setting our Passions on fire, thus strengthening every power that enables composition to shine; since, there has been no fall in man on this side Adam, who left no works, and the works of all other antients are our auxiliars against themselves, as being perpetual spurs to our ambition, and shining lamps in our path to fame; since, this world is a school, as well for intellectual, as moral, advance; and the longer human nature is at school, the better scholar it should be; since, as the moral world expects its glorious Milennium, the world intellectual may hope, by the rules of analogy, for some superior degrees of excellence to crown her latter scenes; nor may it only hope, but must enjoy them too; for Tully, Quintillian, and all true critics allow, that virtue assists Genius, and that the writer will be more able, when better is the man -- All these particulars, I say, consider'd, why should it seem altogether impossible, that heaven's latest editions of the human mind may be the most correct, and fair; that the day may come, when the moderns may proudly look back on the comparative darkness of former ages, on the children of antiquity; reputing Homer, and Demosthenes, as the dawn of divine Genius; and on Athens as the cradle of infant Fame; what a glorious revolution would this make in the rolls of renown? (73-4)
Categories
Provenance
RPO
Citation
At least 12 entries in ECCO and ESTC (1759, 1765, 1767, 1768, 1770, 1774, 1778, 1796, 1798).

See Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison. (London: Printed for A. Millar, in The Strand; and R. and J. Dodsley, in Pall-Mall, 1759). <Link to ESTC><Link to Google Books>

The text was initially drawn from RPO and Chadwyck-Healey's Literature Online (LION). The LION text claims to reproduce the 1759 printing but is marred by typographical errors and has been irregularly modernized. These entries checked against Google Books page images for accuracy and corrected for obvious errors, but italics and capitalization have not yet been uniformly transcribed.
Date of Entry
10/23/2003

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.