"And now with triumphant voices the Cry broke forth into a loud huzza; declaring, that they were not ignorant who these strangers were, that had enter'd Portia's breast."

— Fielding, Sarah (1710-1768) and Jane Collier (bap. 1715, d. 1755)


Place of Publication
London
Publisher
Printed for R. and J. Dodsley in Pall Mall
Date
1754
Metaphor
"And now with triumphant voices the Cry broke forth into a loud huzza; declaring, that they were not ignorant who these strangers were, that had enter'd Portia's breast."
Metaphor in Context
And now with triumphant voices the Cry broke forth into a loud huzza; declaring, that they were not ignorant who these strangers were, that had enter'd Portia's breast. The turba cry'd, they are come a visiting: now where is all our dextra fled? who is now directed by the sinistra ? For; as soon as the Cry found that they could apply Portia's own words to her disadvantage, they forgot their own decision of them to be unintelligible gibberish, and shew'd all at once how capable they [Page 195] were of applying them properly, whenever they served their own purposes, and when the making use of them suited their own inclinations.
Provenance
Searching "breast" and "stranger" in HDIS (Prose)
Citation
2 entries in ESTC (1754).

See Fielding, Sarah and Jane Collier, The Cry: A New Dramatic Fable, 3 vols. (London: Printed for R. and J. Dodsley in Pall Mall, 1754). <Link to ESTC>
Date of Entry
03/06/2006

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.