"As the Eyes are the Windows of the Soul, so this staring Impudence flings a raw, unexperienc'd Woman into panick Fears, that she may be seen through; and that a the Man will discover, or has already betray'd, what passes within her"

— Mandeville, Bernard (bap. 1670, d. 1733)


Place of Publication
London
Publisher
J. Roberts
Date
1705, 1714, 1732
Metaphor
"As the Eyes are the Windows of the Soul, so this staring Impudence flings a raw, unexperienc'd Woman into panick Fears, that she may be seen through; and that a the Man will discover, or has already betray'd, what passes within her"
Metaphor in Context
For this Reason, the Man is allow'd openly to profess the Veneration and great Esteem he has for Women, and shew greater Satisfaction, more Mirth and Gaiety in their Company, than he is used to do out of it. He may not only be complaisant and serviceable to them on all Occasions, but it is reckon'd his Duty to protect and defend them. He may praise the good Qualities they are possess'd of, and extol their Merit with as many Exaggerations as his Invention will let him, and are consistent with good Sense. He may talk of Love, he may sigh and complain of the Rigours of the Fair, and what his Tongue must not utter he has the Privilege to speak with his Eyes, and in that Language to say what he pleases; so it be done with Decency, and short abrupted Glances: But too closely to pursue a Woman, and fasten upon her with one's Eyes, is counted very unmannerly; the Reason is plain, it makes her uneasy, and, if she be not sufficiently fortify'd by Art and Dissimulation, often throws her into visible Disorders. As the Eyes are the Windows of the Soul, so this staring Impudence flings a raw, unexperienc'd Woman into panick Fears, that she may be seen through; and that a the Man will discover, or has already betray'd, what passes within her: it keeps her on a perpetual Rack, that commands her to reveal her secret Wishes, and seems design'd to extort from her the grand Truth, which Modesty bids her with all her Faculties to deny.
(71)
Citation
16 entries in ESTC (1714, 1723, 1724, 1725, 1728, 1729, 1732, 1733, 1734, 1740, 1750, 1755, 1755, 1772, 1795).

The Grumbling Hive was printed as a pamphlet in 1705. 1st edition of The Fable of the Bees published in 1714, 2nd edition in 1723 (with additions, essays "On Charity Schools" and "Nature of Society"). Part II, first published in 1729. Kaye's text based on 6th edition of 1732.

The Fable of the Bees: or, Private Vices Publick Benefits. Containing, Several Discourses, to Demonstrate, That Human Frailties, During the Degeneracy of Mankind, May Be Turn'd to the Advantage of the Civil Society, and Made to Supply the Place of Moral Virtues. (London: Printed for J. Roberts, near the Oxford Arms in Warwick Lane, 1714). <Link to ECCO>

See The Fable of the Bees: or, Private Vices, Publick Benefits. the Second Edition, Enlarged With Many Additions. As Also an Essay on Charity and Charity-Schools. and a Search Into the Nature of Society. (London: Printed for Edmund Parker at the Bible and Crown in Lomb-rd-Street, 1723). <Link to ECCO>

Reading Bernard Mandeville, The Fable of the Bees, ed. F.B. Kaye, 2 vols. (Indianapolis: Liberty Fund, 1988). Orig. Oxford: Clarendon Press, 1924. Reading first volume in Liberty Fund paperback; also searching online ed. <Link to OLL>

I am also working with another print edition: The Fable of the Bees, ed. F. B. Kaye, 2 vols. (Oxford: Clarendon Press, 1957).
Date of Entry
11/08/2004

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.