"There are so many ways of fallacy, such arts of giving colours, appearances and resemblances by this court-dresser, the fancy, that he who is not wary to admit nothing but truth itself, very careful not to make his mind subservient to any thing else, cannot but be caught."

— Locke, John (1632-1704)


Place of Publication
London
Publisher
Printed by W.B. for A. and J. Churchill
Date
1706
Metaphor
"There are so many ways of fallacy, such arts of giving colours, appearances and resemblances by this court-dresser, the fancy, that he who is not wary to admit nothing but truth itself, very careful not to make his mind subservient to any thing else, cannot but be caught."
Metaphor in Context
In the whole conduct of the understanding, there is nothing of more moment than to know when and where, and how far to give assent; and possibly there is nothing harder. It is very easily said, and nobody questions it, that giving and withholding our assent, and the degrees of it, should be regulated by the evidence which things carry with them; and yet we see men are not the better for this rule; some firmly embrace doctrines upon slight grounds, some upon no grounds, and some contrary to appearance: some admit of certainty, and are not to be moved in what they hold: others waver in every thing, and there want not those that reject all as uncertain. What then shall a novice, an inquirer, a stranger do in the case? I answer, use his eyes. There is a correspondence in things, and agreement and disagreement in ideas, discernible in very different degrees, and there are eyes in men to see them, if they please; only their eyes may be dimmed or dazzled, and the discerning sight in them impaired or lost. Interest and passion dazzles; the custom of arguing on any side, even against our persuasions, dims the understanding, and makes it by degrees lose the faculty of discerning clearly between truth and falsehood, and so of adhering to the right side. It is not safe to play with errour, and dress it up to ourselves or others in the shape of truth. The mind by degrees loses its natural relish of real solid truth, is reconciled insensibly to any thing that can be dressed up into any faint appearance of it; and if the fancy be allowed the place of judgment at first in sport, it afterwards comes by use to usurp it; and what is recommended by this flatterer (that studies but to please) is received for good. There are so many ways of fallacy, such arts of giving colours, appearances and resemblances by this court-dresser, the fancy, that he who is not wary to admit nothing but truth itself, very careful not to make his mind subservient to any thing else, cannot but be caught. He that has a mind to believe, has half assented already; and he that by often arguing against his own sense, imposes falsehood on others, is not far from believing himself. This takes away the great distance there is betwixt truth and falsehood; it brings them almost together, and makes it no great odds, in things that approach so near, which you take; and when things are brought to that pass, passion, or interest, &c. easily, and without being perceived, determine which shall be the right.
Provenance
Reading Johnson's Dictionary (1755). Given as an illustration of "COURT-DRESSER"
Citation
15 entries in ESTC (1706, 1741, 1753, 1754, 1762, 1763, 1781, 1782, 1793, 1794, 1795, 1798, 1800).

See John Locke, Posthumous Works of John Locke (London: Printed by W.B. for A. and J. Churchill, 1706). <Link to ESTC><Link to Google Books>

Text from Some Thoughts Concerning Education and Of the Conduct of the Understanding, eds. Ruth W. Grant and Nathan Tarcov (Indianapolis: Hackett Publishing Company, 1996).
Date of Entry
03/21/2005

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.