work_id,theme,provenance,created_at,text,reviewed_on,id,comments,metaphor,dictionary,updated_at,context
4387,"","Searching ""mind"" and ""empire"" in HDIS (Poetry)",2004-08-11 00:00:00 UTC," What cannot active government perform,
New-moulding man? Wide-stretching from these shores,
A people savage from remotest time,
A huge neglected empire, one vast mind,
By Heaven inspired, from gothic darkness call'd.
Immortal Peter! first of monarchs! he
His stubborn country tamed, her rocks, her fens,
Her floods, her seas, her ill-submitting sons;
And while the fierce barbarian he subdued,
To more exalted soul he raised the man.
Ye shades of ancient heroes, ye who toil'd
Through long successive ages to build up
A labouring plan of state, behold at once
The wonder done! behold the matchless prince!
Who left his native throne, where reign'd till then
A mighty shadow of unreal power;
Who greatly spurn'd the slothful pomp of courts;
And roaming every land, in every port
His sceptre laid aside, with glorious hand
Unwearied plying the mechanic tool,
Gather'd the seeds of trade, of useful arts,
Of civil wisdom, and of martial skill.
Charged with the stores of Europe home he goes!
Then cities rise amid the illumined waste;
O'er joyless deserts smiles the rural reign;
Far distant flood to flood is social join'd;
The astonish'd Euxine hears the Baltic roar;
Proud navies ride on seas that never foam'd
With daring keel before; and armies stretch
Each way their dazzling files, repressing here
The frantic Alexander of the north,
And awing there stern Othman's shrinking sons.
Sloth flies the land, and Ignorance, and Vice,
Of old dishonour proud: it glows around,
Taught by the Royal Hand that roused the whole,
One scene of arts, of arms, of rising trade:
For what his wisdom plann'd, and power enforced,
More potent still, his great example show'd.",2012-01-12,11568,"","""Wide-stretching from these shores, / A people savage from remotest time, / A huge neglected empire, one vast mind, / By Heaven inspired, from gothic darkness call'd.""",Empire,2012-01-12 19:11:51 UTC,""
4387,"",Looking up words in the OED; found again reading; confirmed in ECCO in a 1744 printing.,2005-09-29 00:00:00 UTC,"O Thou, whose wisdom, solid yet refined,
Whose patriot-virtues, and consummate skill
To touch the finer springs that move the world,
Join'd to whate'er the Graces can bestow,
And all Apollo's animating fire,
Give thee, with pleasing dignity, to shine
At once the guardian, ornament, and joy,
Of polish'd life; permit the Rural Muse,
O Chesterfield, to grace with thee her song!
Ere to the shades again she humbly flies,
Indulge her fond ambition, in thy train,
(For every Muse has in thy train a place)
To mark thy various full-accomplish'd mind:
To mark that spirit, which, with British scorn,
Rejects the allurements of corrupted power;
That elegant politeness, which excels,
E'en in the judgment of presumptuous France,
The boasted manners of her shining court;
That wit, the vivid energy of sense,
The truth of Nature, which with Attic point
And kind well temper'd satire, smoothly keen,
Steals through the soul, and without pain corrects.
Or rising thence with yet a brighter flame,
O let me hail thee on some glorious day,
When to the listening senate, ardent, crowd
Britannia's sons to hear her pleaded cause.
Then dress'd by thee, more amiably fair,
Truth the soft robe of mild persuasion wears:
Thou to assenting reason givest again
Her own enlighten'd thoughts; call'd from the heart,
The obedient passions on thy voice attend;
And e'en reluctant party feels a while
Thy gracious power: as through the varied maze
Of eloquence, now smooth, now quick, now strong,
Profound and clear, you roll the copious flood.
(ll. 656-90)",,11581,"Works (1830) in C-H has ""That with the vivid energy of sense..."" !? (Not in Sambrook: corrected and checked against 1744 and 1746.","""That with the vivid energy of sense, / The truth of Nature, which with Attic point / And kind well temper'd satire, smoothly keen, / Steals through the soul, and without pain corrects.""","",2014-08-29 17:20:00 UTC,""
5366,"",HDIS (Poetry),2009-09-14 19:40:44 UTC,"Oft have the laws of each poetic strain
The critic-verse imploy'd; yet still unsung
Lay this prime subject, though importing most
A poet's name: for fruitless is the attempt,
By dull obedience and by creeping toil
Obscure to conquer the severe ascent
Of high Parnassus. Nature's kindling breath
Must fire the chosen genius; nature's hand
Must string his nerves, and imp his eagle-wings
Impatient of the painful steep, to soar
High as the summit; there to breathe at large
Æthereal air: with bards and sages old,
Immortal sons of praise. These flattering scenes
To this neglected labour court my song;
Yet not unconscious what a doubtful task
To paint the finest features of the mind,
And to most subtile and mysterious things
Give colour, strength, and motion. But the love
Of nature and the muses bids explore,
Through secret paths erewhile untrod by man,
The fair poetic region, to detect
Untasted springs, to drink inspiring draughts,
And shade my temples with unfading flowers
Cull'd from the laureate vale's profound recess,
Where never poet gain'd a wreath before.
",2004-01-05,14376,"•Published in Akenside's Poems (1772). But is there an earlier edition (in 1744)?
•Painting is a key concept (fancy paints) and may well deserve its own category. Mental painting then would be akin to mental writing.
•Painting now belongs to 'Visual Arts', but this is still a 'Body' metaphor. Unless ""features"" are meant to be features of landscape...!? (10/22/2003)
• Moved ""features"" to Uncategorized (6/10/2011)","""These flattering scenes / To this neglected labour court my song; / Yet not unconscious what a doubtful task / To paint the finest features of the mind, / And to most subtile and mysterious things / Give colour, strength, and motion.""","",2011-06-10 20:23:16 UTC,"Book. I, ll. 31-55, pp. 13-4"
5366,"",HDIS (Poetry),2009-09-14 19:40:44 UTC,"Call now to mind what high capacious powers
Lie folded up in man; how far beyond
The praise of mortals, may the eternal growth
Of nature to perfection half divine,
Expand the blooming soul? What pity then
Should sloth's unkindly fogs depress to earth
Her tender blossom; choak the streams of life,
And blast her spring! Far otherwise design'd
Almighty wisdom; nature's happy cares
The obedient heart far otherwise incline.
Witness the sprightly joy when aught unknown
Strikes the quick sense, and wakes each active power
To brisker measures: witness the neglect
Of all familiar prospects, though beheld
With transport once; the fond attentive gaze
Of young astonishment; the sober zeal
Of age, commenting on prodigious things.
For such the bounteous providence of heaven,
In every breast implanting this desire [5]
Of objects new and strange, to urge us on
With unremitted labour to pursue
Those sacred stores that wait the ripening soul,
In Truth's exhaustless bosom. What need words
To paint its power? For this the daring youth
Breaks from his weeping mother's anxious arms,
In foreign climes to rove: the pensive sage,
Heedless of sleep, or midnight's harmful damp,
Hangs o'er the sickly taper; and untir'd
The virgin follows, with inchanted step,
The mazes of some wild and wondrous tale,
From morn to eve; unmindful of her form,
Unmindful of the happy dress that stole
The wishes of the youth, when every maid
With envy pin'd. Hence, finally, by night
The village-matron, round the blazing hearth,
Suspends the infant-audience with her tales,
Breathing astonishment! of witching rhimes,
And evil spirits; of the death-bed call
Of him who robb'd the widow, and devour'd
The orphan's portion; of unquiet souls
Risen from the grave to ease the heavy guilt
Of deeds in life conceal'd; of shapes that walk
At dead of night, and clank their chains, and wave
The torch of hell around the murderer's bed.
At every solemn pause the croud recoil
Gazing each other speechless, and congeal'd
With shivering sighs: till eager for the event,
Around the beldame all arrect they hang,
Each trembling heart with grateful terrors quell'd.
",2011-06-10,14377,"•The extended metaphor returns at the end of the passage cited. See following entries.
•Edited 2004-01-05","""Call now to mind what high capacious powers / Lie folded up in man; how far beyond / The praise of mortals, may the eternal growth / Of nature to perfection half divine, / Expand the blooming soul?""","",2011-06-10 20:27:08 UTC,"Book. I, ll. 222-70, pp. 23-5"
5366,"","HDIS (Poetry); found again in Marjorie Nicholson's Newton Demands the Muse (Princeton: Princeton UP, 1946), 154.",2009-09-14 19:40:45 UTC,"...But more lovely still
Is nature's charm, where to the full consent
Of complicated members, to the bloom
Of colour, and the vital change of growth,
Life's holy flame and piercing sense are given,
And active motion speaks the temper'd soul:
So moves the bird of Juno; so the steed
With rival ardour beats the dusty plain,
And faithful dogs with eager airs of joy
Salute their fellows. Thus doth beauty dwell
There most conspicuous, even in outward shape,
Where dawns the high expression of a mind:
By steps conducting our inraptur'd search
To that eternal origin, whose power,
Through all the unbounded symmetry of things,
Like rays effulging from the parent sun,
This endless mixture of her charms diffus'd.
Mind, mind alone, (bear witness, earth and heaven!)
The living fountains in itself contains
Of beauteous and sublime: here hand in hand,
Sit paramount the Graces; here inthron'd,
Coelestial Venus, with divinest airs,
Invites the soul to never-fading joy.
Look then abroad through nature, to the range
Of planets, suns, and adamantine spheres
Wheeling unshaken through the void immense;
And speak, o man! does this capacious scene
With half that kindling majesty dilate
Thy strong conception, as when Brutus rose [7]
Refulgent from the stroke of Cæsar's fate,
Amid the croud of patriots; and his arm
Aloft extending, like eternal Jove
When guilt brings down the thunder, call'd aloud
On Tully's name, and shook his crimson steel,
And bade the father of his country, hail!
For lo! the tyrant prostrate on the dust,
And Rome again is free! Is aught so fair
In all the dewy landscapes of the spring,
In the bright eye of Hesper or the morn,
In nature's fairest forms, is aught so fair
As virtuous friendship? as the candid blush
Of him who strives with fortune to be just?
The graceful tear that streams for others woes?
Or the mild majesty of private life,
Where peace with ever-blooming olive crowns
The gate; where honour's liberal hands effuse
Unenvied treasures, and the snowy wings
Of innocence and love protect the scene?
Once more search, undismay'd, the dark profound
Where nature works in secret; view the beds
Of mineral treasure, and the eternal vault
That bounds the hoary ocean; trace the forms
Of atoms moving with incessant change
Their elemental round; behold the seeds
Of being, and the energy of life
Kindling the mass with ever-active flame:
Then to the secrets of the working mind
Attentive turn; from dim oblivion call
Her fleet, ideal band; and bid them, go!
Break through time's barrier, and o'ertake the hour
That saw the heavens created: then declare
If aught were found in those external scenes
To move thy wonder now. For what are all
The forms which brute, unconscious matter wears,
Greatness of bulk, or symmetry of parts?
Not reaching to the heart, soon feeble grows
The superficial impulse; dull their charms,
And satiate soon, and pall the languid eye.
Not so the moral species, nor the powers
Of genius and design; the ambitious mind
There sees herself: by these congenial forms
Touch'd and awaken'd, with intenser act
She bends each nerve, and meditates well-pleas'd
Her features in the mirror. For of all
The inhabitants of earth, to man alone
Creative wisdom gave to lift his eye
To truth's eternal measures; thence to frame
The sacred laws of action and of will,
Discerning justice from unequal deeds,
And temperance from folly. But beyond
This energy of truth, whose dictates bind
Assenting reason, the benignant sire,
To deck the honour'd paths of just and good,
Has added bright imagination's rays:
Where virtue, rising from the awful depth [8]
Of truth's mysterious bosom, doth forsake
The unadorn'd condition of her birth;
And dress'd by fancy in ten thousand hues,
Assumes a various feature, to attract,
With charms responsive to each gazer's eye,
The hearts of men. Amid his rural walk,
The ingenuous youth, whom solitude inspires
With purest wishes, from the pensive shade
Beholds her moving, like a virgin-muse
That wakes her lyre to some indulgent theme
Of harmony and wonder: while among
The herd of servile minds, her strenuous form
Indignant flashes on the patriot's eye,
And through the rolls of memory appeals
To ancient honour, or in act serene,
Yet watchful, raises the majestic sword
Of public power, from dark ambition's reach
To guard the sacred volume of the laws.",2004-01-06,14378,"•""Fountain"" seems to trouble my categories. Is this Architecture? Garden? Or Liquid?
•I've decided not to be troubled with it (1/6/2004).","""Mind, mind alone, (bear witness, earth and heaven!) / The living fountains in itself contains / Of beauteous and sublime.""","",2014-07-25 19:02:50 UTC,"Book. I, ll. 464-566, pp. 35-40"
5366,"",HDIS (Poetry),2009-09-14 19:40:45 UTC,"[...] But more lovely still
Is nature's charm, where to the full consent
Of complicated members, to the bloom
Of colour, and the vital change of growth,
Life's holy flame and piercing sense are given,
And active motion speaks the temper'd soul:
So moves the bird of Juno; so the steed
With rival ardour beats the dusty plain,
And faithful dogs with eager airs of joy
Salute their fellows. Thus doth beauty dwell
There most conspicuous, even in outward shape,
Where dawns the high expression of a mind:
By steps conducting our inraptur'd search
To that eternal origin, whose power,
Through all the unbounded symmetry of things,
Like rays effulging from the parent sun,
This endless mixture of her charms diffus'd.
Mind, mind alone, (bear witness, earth and heaven!)
The living fountains in itself contains
Of beauteous and sublime: here hand in hand,
Sit paramount the Graces; here inthron'd,
Coelestial Venus, with divinest airs,
Invites the soul to never-fading joy.
Look then abroad through nature, to the range
Of planets, suns, and adamantine spheres
Wheeling unshaken through the void immense;
And speak, o man! does this capacious scene
With half that kindling majesty dilate
Thy strong conception, as when Brutus rose
Refulgent from the stroke of Cæsar's fate,
Amid the croud of patriots; and his arm
Aloft extending, like eternal Jove
When guilt brings down the thunder, call'd aloud
On Tully's name, and shook his crimson steel,
And bade the father of his country, hail!
For lo! the tyrant prostrate on the dust,
And Rome again is free! Is aught so fair
In all the dewy landscapes of the spring,
In the bright eye of Hesper or the morn,
In nature's fairest forms, is aught so fair
As virtuous friendship? as the candid blush
Of him who strives with fortune to be just?
The graceful tear that streams for others woes?
Or the mild majesty of private life,
Where peace with ever-blooming olive crowns
The gate; where honour's liberal hands effuse
Unenvied treasures, and the snowy wings
Of innocence and love protect the scene?
Once more search, undismay'd, the dark profound
Where nature works in secret; view the beds
Of mineral treasure, and the eternal vault
That bounds the hoary ocean; trace the forms
Of atoms moving with incessant change
Their elemental round; behold the seeds
Of being, and the energy of life
Kindling the mass with ever-active flame:
Then to the secrets of the working mind
Attentive turn; from dim oblivion call
Her fleet, ideal band; and bid them, go!
Break through time's barrier, and o'ertake the hour
That saw the heavens created: then declare
If aught were found in those external scenes
To move thy wonder now. For what are all
The forms which brute, unconscious matter wears,
Greatness of bulk, or symmetry of parts?
Not reaching to the heart, soon feeble grows
The superficial impulse; dull their charms,
And satiate soon, and pall the languid eye.
Not so the moral species, nor the powers
Of genius and design; the ambitious mind
There sees herself: by these congenial forms
Touch'd and awaken'd, with intenser act
She bends each nerve, and meditates well-pleas'd
Her features in the mirror. For of all
The inhabitants of earth, to man alone
Creative wisdom gave to lift his eye
To truth's eternal measures; thence to frame
The sacred laws of action and of will,
Discerning justice from unequal deeds,
And temperance from folly. But beyond
This energy of truth, whose dictates bind
Assenting reason, the benignant sire,
To deck the honour'd paths of just and good,
Has added bright imagination's rays:
Where virtue, rising from the awful depth
Of truth's mysterious bosom, doth forsake
The unadorn'd condition of her birth;
And dress'd by fancy in ten thousand hues,
Assumes a various feature, to attract,
With charms responsive to each gazer's eye,
The hearts of men. Amid his rural walk,
The ingenuous youth, whom solitude inspires
With purest wishes, from the pensive shade
Beholds her moving, like a virgin-muse
That wakes her lyre to some indulgent theme
Of harmony and wonder: while among
The herd of servile minds, her strenuous form
Indignant flashes on the patriot's eye,
And through the rolls of memory appeals
To ancient honour, or in act serene,
Yet watchful, raises the majestic sword
Of public power, from dark ambition's reach
To guard the sacred volume of the laws. ",2011-06-10,14379,"Again ""features"" suggest face... See earlier Akenside metaphor","""Not so the moral species, nor the powers / Of genius and design; the ambitious mind / There sees herself: by these congenial forms / Touch'd and awaken'd, with intenser act / She bends each nerve, and meditates well-pleas'd / Her features in the mirror.""",Mirror,2013-08-22 14:44:10 UTC,"Book. I, ll. 464-566, pp. 35-40"
5366,"",HDIS (Poetry),2004-01-07 00:00:00 UTC,"Yet more: her honours where nor beauty claims,
Nor shews of good the thirsty sense allure,
From passion's power alone our nature holds
Essential pleasure. Passion's fierce illapse
Rouzes the mind's whole fabric; with supplies
Of daily impulse keeps the elastic powers
Intensely poiz'd, and polishes anew
By that collision all the fine machine:
Else rust would rise, and foulness, by degrees
Incumbering, choak at last what heaven design'd
For ceaseless motion and a round of toil.
(Bk. II, ll. 155-165, p. 53)",2011-06-10,14380,"","""Yet more: her honours where nor beauty claims, / Nor shews of good the thirsty sense allure, / From passion's power alone our nature holds / Essential pleasure.""","",2011-06-10 20:32:42 UTC,Book II
5366,"",HDIS (Poetry),2004-01-07 00:00:00 UTC,"That rocky pile thou seest, that verdant lawn
Fresh-water'd from the mountains. Let the scene
Paint in thy fancy the primæval seat
Of man, and where the will supreme ordain'd
His mansion, that pavilion fair-diffus'd
Along the shady brink; in this recess
To wear the appointed season of his youth,
Till riper hours should open to his toil
The high communion of superior minds,
Of consecrated heroes and of gods.
Nor did the sire omnipotent forget
His tender bloom to cherish; nor withheld
Coelestial footsteps from his green abode.
Oft from the radiant honours of his throne,
He sent whom most he lov'd, the sovran fair,
The effluence of his glory, whom he plac'd
Before his eyes for ever to behold;
The goddess from whose inspiration flows
The toil of patriots, the delight of friends;
Without whose work divine, in heaven or earth,
Nought lovely, nought propitious comes to pass,
Nor hope, nor praise, nor honour. Her the sire
Gave it in charge to rear the blooming mind,
The folded powers to open, to direct
The growth luxuriant of his young desires,
And from the laws of this majestic world
To teach him what was good. As thus the nymph
Her daily care attended, by her side
With constant steps her gay companion stay'd,
The fair Euphrosyné, the gentle queen
Of smiles, and graceful gladness, and delights
That cheer alike the hearts of mortal men
And powers immortal. See the shining pair!
Behold, where from his dwelling now disclos'd
They quit their youthful charge and seek the skies.
(Book. II, ll. 364-98, pp. 64-5)",2011-06-10,14381,"","""Let the scene / Paint in thy fancy the primæval seat / Of man.""","",2011-06-10 20:34:43 UTC,Book. II
5366,"","Found again searching ""empire"" and ""soul"" in HDIS (Poetry); confirmed in ECCO-TCP.",2004-08-11 00:00:00 UTC,"Thus ambition grasps
The empire of the soul: thus pale revenge
Unsheaths her murderous dagger; and the hands
Of lust and rapine, with unholy arts,
Watch to o'erturn the barrier of the laws
That keeps them from their prey: thus all the plagues
The wicked bear, or o'er the trembling scene
The tragic muse discloses, under shapes
Of honour, safety, pleasure, ease or pomp,
Stole first into the mind. Yet not by all
Those lying forms which fancy in the brain
Engenders, are the kindling passions driven,
To guilty deeds; nor reason bound in chains,
That vice alone may lord it: oft adorn'd
With solemn pageants, folly mounts the throne,
And plays her idiot-anticks, like a queen.
A thousand garbs she wears; a thousand ways
She wheels her giddy empire.
(p. 73-4, Bk. III, ll. 53-70; p. 93 in 1744 ed.)",2011-06-10,14382,Edited 2003-10-23,"""Thus ambition grasps / The empire of the soul.""",Empire,2014-07-10 20:53:22 UTC,Book III
5366,"",HDIS (Poetry),2009-09-14 19:40:45 UTC,"Last of the motley bands on whom the power
Of gay derision bends her hostile aim,
Is that where shameful ignorance presides.
Beneath her sordid banners, lo! they march,
Like blind and lame. Whate'er their doubtful hands
Attempt, confusion straight appears behind,
And troubles all the work. Through many a maze,
Perplex'd they struggle, changing every path,
O'erturning every purpose; then at last
Sit down dismay'd, and leave the entangled scene
For scorn to sport with. Such then is the abode
Of folly in the mind; and such the shapes
In which she governs her obsequious train.
(p. 80, Bk. III, ll. 228-240)
",2011-06-10,14383,"","""Such then is the abode / Of folly in the mind; and such the shapes / In which she governs her obsequious train.""",Population and Rooms,2011-06-10 20:37:45 UTC,Book III