id,dictionary,theme,reviewed_on,metaphor,created_at,provenance,comments,work_id,text,context,updated_at
15867,Metal,"",,"""I'm dead to pity as to fear, / My heart is cas'd with steel""",2005-06-13 00:00:00 UTC,"Searching ""heart"" and ""steel"" in HDIS (Drama)","",5966,"TRIO AND CHORUS.--Jaquelina, Angelina, and Captain of Robbers.
Jaq. and Ang.
Compassion to our woes impart,
Nor vainly let us sue;
The breast that owns a valiant heart,
Is still to pity true.
Capt.
Try no more this useful wailing,
Think not that my ears assailing
You my rugged heart can move.
Jaq. and Ang.
Kindly grant us freedom's blessing.
Capt.
Vain is all this earnest pressing.
Jaq. and Ang.
Joys that flow from mercy prove.
Capt.
Ne'er such weakness will I prove.
Learn that I drew my infant breath
Within the robber's cave;
And when too young to deal out death,
I dug the dead man's grave.
Then think you that a woman's tear
Can make this bosom feel?
I'm dead to pity as to fear,
My heart is cas'd with steel.
CHORUS.
Then think you that a woman's tear
Can make our bosoms feel?
We're dead to pity as to fear,
Our hearts are cas'd with steel.
Jaq. and Ang.
Be soften'd by a woman's tear,
And for our sorrows feel;
To pity wake, though dead to fear,
Nor case your hearts with steel.","Act II, scene ii",2009-09-14 19:44:56 UTC
15868,Metal,"",,"""We're dead to pity as to fear, / Our hearts are cas'd with steel""",2005-06-13 00:00:00 UTC,"Searching ""heart"" and ""steel"" in HDIS (Drama)","",5966,"TRIO AND CHORUS.--Jaquelina, Angelina, and Captain of Robbers.
Jaq. and Ang.
Compassion to our woes impart,
Nor vainly let us sue;
The breast that owns a valiant heart,
Is still to pity true.
Capt.
Try no more this useful wailing,
Think not that my ears assailing
You my rugged heart can move.
Jaq. and Ang.
Kindly grant us freedom's blessing.
Capt.
Vain is all this earnest pressing.
Jaq. and Ang.
Joys that flow from mercy prove.
Capt.
Ne'er such weakness will I prove.
Learn that I drew my infant breath
Within the robber's cave;
And when too young to deal out death,
I dug the dead man's grave.
Then think you that a woman's tear
Can make this bosom feel?
I'm dead to pity as to fear,
My heart is cas'd with steel.
CHORUS.
Then think you that a woman's tear
Can make our bosoms feel?
We're dead to pity as to fear,
Our hearts are cas'd with steel.
Jaq. and Ang.
Be soften'd by a woman's tear,
And for our sorrows feel;
To pity wake, though dead to fear,
Nor case your hearts with steel.","Act II, scene ii",2009-09-14 19:44:56 UTC
15869,Metal,"",,"""To pity wake, though dead to fear, / Nor case your hearts with steel.""",2005-06-13 00:00:00 UTC,"Searching ""heart"" and ""steel"" in HDIS (Drama)","",5966,"TRIO AND CHORUS.--Jaquelina, Angelina, and Captain of Robbers.
Jaq. and Ang.
Compassion to our woes impart,
Nor vainly let us sue;
The breast that owns a valiant heart,
Is still to pity true.
Capt.
Try no more this useful wailing,
Think not that my ears assailing
You my rugged heart can move.
Jaq. and Ang.
Kindly grant us freedom's blessing.
Capt.
Vain is all this earnest pressing.
Jaq. and Ang.
Joys that flow from mercy prove.
Capt.
Ne'er such weakness will I prove.
Learn that I drew my infant breath
Within the robber's cave;
And when too young to deal out death,
I dug the dead man's grave.
Then think you that a woman's tear
Can make this bosom feel?
I'm dead to pity as to fear,
My heart is cas'd with steel.
CHORUS.
Then think you that a woman's tear
Can make our bosoms feel?
We're dead to pity as to fear,
Our hearts are cas'd with steel.
Jaq. and Ang.
Be soften'd by a woman's tear,
And for our sorrows feel;
To pity wake, though dead to fear,
Nor case your hearts with steel.","Act II, scene ii",2009-09-14 19:44:56 UTC
15870,"","",,"""[I]f miseries pressed on thy brain too great for reason to support, would tend thee in the cell of madness, and even there derive more ecstasy from one kind look given in the transient intervals of sense, than all the unruffled pleasures that the world without thee can afford""",2005-08-29 00:00:00 UTC,Searching in HDIS (Drama),"",5966,"ANG.
Then justly did a villain perish; for if ever the tongue of mortal could truly charge me with an act, however trivial, or one word or look, that spoke my heart wandering from thee, may Heaven withhold from me its mercy, and let the fiercest pangs that dying sinners tremble at, be my eternal lot! Oh, my Alphonso, spurn not, as faithless, her whose dearest, only joy, has been thy love; her who, if all the world combined to load thee with its hate, would still cling to thee with increasing fondness; and who, if miseries pressed on thy brain too great for reason to support, would tend thee in the cell of madness, and even there derive more ecstasy from one kind look given in the transient intervals of sense, than all the unruffled pleasures that the world without thee can afford!","Act III, scene ii",2009-09-14 19:44:56 UTC
15873,"","",,"""Still Hope, with magic mirror tries / My sinking heart to cheer, / And points where smiling prospects rise / Of many a circling year""",2005-11-30 00:00:00 UTC,"Searching ""heart"" and ""mirror"" in HDIS (Drama)","",5967,"ELIZA.
Yes, my beloved Sidney! I shall once more rejoin thee, and share thy fate--perhaps effect thy rescue.
[Song.--Eliza.]
With trembling steps and sinking heart
I urge my weary way;
At every whispering breeze I start,
All terror and dismay.
Still Hope, with magic mirror tries
My sinking heart to cheer,
And points where smiling prospects rise
Of many a circling year.
Or when the sandy desart bright
Reflects the burning noon,
Or when the chilling damps of night
Arise and dim the moon.
Still Hope, &c.","Act I, Scene ii",2009-09-14 19:44:57 UTC
15895,Court,"",,A woman's heart may be the judge,2004-10-18 00:00:00 UTC,"Searching ""heart"" and ""judge"" in HDIS (Drama)","",5979,"PASTOR.
Is the suit, then, at an end? Is your conscience silent?
BARON.
Still as a mouse. I only wish the first interview was over. I feel as much ashamed of first meeting Wilhelmina's eye, as a thief when obliged to appear before the person whom he has defrauded.
PASTOR.
Be at ease. Wilhelmina's heart is the judge.
BARON.
And (why should I not confess it?) prejudices resemble wounds, which, though as nearly healed as possible, smart when any alteration takes place in the weather. I--I am ashamed--of confessing all these circumstances --to my daughter--to the Count--to my servants. I wish it were over. I should not like to see Wilhelmina--I should not like to resign myself entirely to joy, till I have explained every thing to--Holla! Francis!","Act V, scene v",2009-09-14 19:45:01 UTC
17137,"","",,"""The mind that labours for a cure works ill / By feeding its own grief; wasting away / Like boiling waters in an useless struggle""",2008-03-08 00:00:00 UTC,"Searching ""speed of thought"" in ECCO","",6450,"VIRGINIA
Tedious are hours to those who live in doubt.
O that my father were return'd once more! [end page 29]
Or could I learn good tidings.--Dreadful suspense!
The mind that labours for a cure works ill
By feeding its own grief; wasting away
Like boiling waters in an useless struggle.
Had but my wishes wings, fleet should they fly
And leave the winds behind! look for good news,
And bring it back with thought's best speed. I'm sick
Of hope, that promises and lingers on
Disease, but brings no cure. Give me a song,
Perhaps it may a while divert my care.
(pp. 29-30)
",Act III,2009-09-14 19:49:10 UTC
19073,Fetters,"",,"""Your power I dare / In despite of these chains, / Unconquered still my soul remains.""",2011-07-30 20:50:18 UTC,"Searching ""soul"" and ""chain"" in HDIS (Drama)","",5967,"ZEMAUN
Your power I dare
In despite of these chains,
Unconquered still my soul remains.
(III.iii)","Act III, scene iii",2011-07-30 20:50:18 UTC
20133,"","",,"""Know, that the human being's thoughts and deeds / Are not like ocean billows, blindly moved.""",2013-04-22 16:25:47 UTC,"Reading Katrin Pahl, Tropes of Transport: Hegel and Emotion (Northwestern UP, 2012), p. 235n.","",7379," WALLENSTEIN (stops and turns himself round).
Are ye not like the women, who forever
Only recur to their first word, although
One had been talking reason by the hour!
Know, that the human being's thoughts and deeds
Are not like ocean billows, blindly moved.
The inner world, his microcosmus, is
The deep shaft, out of which they spring eternally.
They grow by certain laws, like the tree's fruit--
No juggling chance can metamorphose them.
Have I the human kernel first examined?
Then I know, too, the future will and action.
(II.iii)
[Wallenstein. (bleibt stehen und kehrt sich um)
Seid ihr nicht wie die Weiber, die beständig
Zurück nur kommen auf ihr erstes Wort,
Wenn man Vernunft gesprochen stundenlang!
—Des Menschen Taten und Gedanken, wißt!
Sind nicht wie Meeres blind bewegte Wellen.
Die innre Welt, sein Mikrokosmus, ist
Der tiefe Schacht, aus dem sie ewig quellen.
Sie sind notwendig, wie des Baumes Frucht,
Sie kann der Zufall gaukelnd nicht verwandeln.
Hab ich des Menschen Kern erst untersucht,
So weiß ich auch sein Wollen und sein Handeln.
]","Act II, scene iii",2013-04-22 16:26:08 UTC
20134,"","",,"""The inner world, his microcosmus, is / The deep shaft, out of which they spring eternally.""",2013-04-22 16:27:18 UTC,"Reading Katrin Pahl, Tropes of Transport: Hegel and Emotion (Northwestern UP, 2012), p. 235n.","",7379," WALLENSTEIN (stops and turns himself round).
Are ye not like the women, who forever
Only recur to their first word, although
One had been talking reason by the hour!
Know, that the human being's thoughts and deeds
Are not like ocean billows, blindly moved.
The inner world, his microcosmus, is
The deep shaft, out of which they spring eternally.
They grow by certain laws, like the tree's fruit--
No juggling chance can metamorphose them.
Have I the human kernel first examined?
Then I know, too, the future will and action.
(II.iii)
[Wallenstein. (bleibt stehen und kehrt sich um)
Seid ihr nicht wie die Weiber, die beständig
Zurück nur kommen auf ihr erstes Wort,
Wenn man Vernunft gesprochen stundenlang!
—Des Menschen Taten und Gedanken, wißt!
Sind nicht wie Meeres blind bewegte Wellen.
Die innre Welt, sein Mikrokosmus, ist
Der tiefe Schacht, aus dem sie ewig quellen.
Sie sind notwendig, wie des Baumes Frucht,
Sie kann der Zufall gaukelnd nicht verwandeln.
Hab ich des Menschen Kern erst untersucht,
So weiß ich auch sein Wollen und sein Handeln.
]","Act II, scene iii",2013-04-22 16:27:47 UTC