text,updated_at,metaphor,created_at,context,theme,reviewed_on,dictionary,comments,provenance,id,work_id
"And why? Because he thinks himself immortal.
All men think all men mortal but themselves;
Themselves, when some alarming shock of Fate
Strikes through their wounded hearts the sudden dread.
But their hearts wounded, like the wounded air,
Soon close; where pass'd the shaft, no trace is found.
As from the wing no scar the sky retains,
The parted wave no furrow from the keel,
So dies in human hearts the thought of death.
E'en with the tender tear which Nature sheds
O'er those we love, we drop it in their grave.
Can I forget Philander? That were strange.
O my full heart!--But should I give it vent,
The longest night, though longer far, would fail,
And the lark listen to my midnight song.
(ll. 423-437, pp. 47-8 in CUP edition)",2013-06-11 14:45:55 UTC,"""But their hearts wounded, like the wounded air, / Soon close; where pass'd the shaft, no trace is found. / As from the wing no scar the sky retains, / The parted wave no furrow from the keel, / So dies in human hearts the thought of death.""",2013-06-05 19:54:37 UTC,Night the First,"",,Animals,"",Reading,20396,7399
"Mr. Coleridge bewilders himself sadly in endeavouring to determine in what the essence of poetry consists;--Milton, we think, has told it in a single line--
--'Thoughts that voluntary movePoetry is the music of language, expressing the music of the mind. Whenever any object takes such a hold on the mind as to make us dwell upon it, and brood over it, melting the heart in love, or kindling it to a sentiment of admiration;--whenever a movement of imagination or passion is impressed on the mind, by which it seeks to prolong and repeat the emotion, to bring all other objects into accord with it, and to give the same movement of harmony, sustained and continuous, to the sounds that express it,--this is poetry. The musical in sound is the sustained and continuous; the musical in thought and feeling is the sustained and continuous also. Whenever articulation passes naturally into intonation, this is the beginning of poetry. There is no natural harmony in the ordinary combinations of significant sounds: the language of prose is not the language of music, or of passion: and it is to supply this inherent defect in the mechanism of language--to make the sound an echo to the sense, when the sense becomes a sort of echo to itself--to mingle the tide of verse, 'the golden cadences of poesy,' with the tide of feeling, flowing, and murmuring as it flows--or to take the imagination off its feet, and spread its wings where it may indulge its own impulses, without being stopped or perplexed by the ordinary abruptnesses, or discordant flats and sharps of prose--that poetry was invented.
Harmonious numbers.'