work_id,theme,provenance,created_at,text,reviewed_on,id,comments,metaphor,dictionary,updated_at,context
4802,"","Searching ""mind"" in Liberty Fund OLL",2005-08-18 00:00:00 UTC,"A very slight Inspection into human Nature suggests to us, that no kind of Objects make so powerful an Impression on us as those which are immediately impressed on our Senses, or strongly painted on our Imaginations. Whatever is purely Intellectual, as abstracted or scientific Truths, the subtile Relations and Differences of Things, has a fainter sort of Existence in the Mind; and though it may exercise and whet the Memory, the Judgment, or the Reasoning Powers, gives hardly any Impulse at all to the Active Powers, the Passions, which are the main Springs of Motion. On the other hand, were the Mind entirely under the Direction of Sense, and impressible only by such Objects as are present, and strike some of the outward Organs, we should then be precisely in the State of the Brute-Creation, and be governed solely by Instinct or Appetite, and have no Power to controul whatever Impressions are made upon us: Nature has therefore endued us with a MIDDLE FACULTY, wonderfully adapted to our MIXED State, which holds partly of Sense and partly of Reason, being strongly allied to the former, and the common Receptacle in which all the Notices that come from that quarter are treasured up, and yet greatly subservient and ministerial to the latter, by giving a Body, a Coherence, and Beauty to its Conceptions. This middle Faculty is called the IMAGINATION, one of the most busy and fruitful Powers of the Mind. Into this common Storehouse are likewise carried all those Moral Images or Forms which are derived from our Moral Faculties of Perception, and there they often undergo new Changes and Appearances, by being mixed and wrought up with the Images and Forms of Sensible or Natural Things. By this Coalition of Imagery, Natural Beauty is dignified and heightened by Moral Qualities and Perfections, and Moral Qualities are at once exhibited, and set off by Natural Beauty. The sensible Beauty, or Good, is refined from its Dross by partaking of the Moral, and the Moral receives a Stamp, a visible Character and Currency from the Sensible.--But in order to judge of this mutual Influence, it will be proper to give a few Instances of the Process of the Imagination, or of the Energy of the associating Principle.
(p. 123-4)",2011-10-10,12800,"•INTEREST. Rich passage pulls together many diverse metaphors of mind.
•I've included thrice: Dross, Stamp, Currency
•Use in Coinage entry.","""The sensible Beauty, or Good, is refined from its Dross by partaking of the Moral, and the Moral receives a Stamp, a visible Character and Currency from the Sensible.""",Coinage and Metal,2011-10-10 16:41:09 UTC,Book III.
5657,"","Searching in C-H Lion; found again, reading.",2013-06-26 18:53:47 UTC,"It grew dusky; and we had a very tedious ride for what was called five miles; but I am sure would measure ten. We had no conversation. I was riding forward to the inn at Glenelg, on the shore opposite to Sky, that I might take proper measures, before Dr Johnson, who was now advancing in dreary silence, Hay leading his horse, should arrive. Vass also walked by the side of his horse, and Joseph followed behind: as therefore he was thus attended, and seemed to be in deep meditation, I thought there could be no harm in leaving him for a little while. He called me back with a tremendous shout, and was really in a passion with me for leaving him. I told him my intentions, but he was not satisfied, and said, 'Do you know, I should as soon have thought of picking a pocket, as doing so.' BOSWELL. 'I am diverted with you, sir.' JOHNSON. 'Sir, I could never be diverted with incivility. Doing such a thing, makes one lose confidence in him who has done it, as one cannot tell what he may do next.' His extraordinary warmth confounded me so much, that I justified myself but lamely to him; yet my intentions were not improper. I wished to get on, to see how we were to be lodged, and how we were to get a boat; all which I thought I could best settle myself, without his having any trouble. To apply his great mind to minute particulars, is wrong: it is like taking an immense balance, such as is kept on quays for weighing cargoes of ships, to weigh a guinea. I knew I had neat little scales, which would do better; and that his attention to every thing which falls in his way, and his uncommon desire to be always in the right, would make him weigh, if he knew of the particulars: it was right therefore for me to weigh them, and let him have them only in effect. I however continued to ride by him, finding he wished I should do so.
(p. 239)",,21152,"","""To apply his great mind to minute particulars, is wrong: it is like taking an immense balance, such as is kept on quays for weighing cargoes of ships, to weigh a guinea. I knew I had neat little scales, which would do better; and that his attention to every thing which falls in his way, and his uncommon desire to be always in the right, would make him weigh, if he knew of the particulars: it was right therefore for me to weigh them, and let him have them only in effect.""",Coinage,2018-04-26 23:43:33 UTC,""
5107,"",ECCO-TCP,2013-11-18 21:53:01 UTC,"But the mind is not satisfied with a moderate course alone: its perceptions must also be sufficiently diversified. Number without variety constitutes not an agreeable train. In comparing a few objects, uniformity is agreeable: but the frequent reiteration of uniform objects becomes unpleasant. One tires of a scene that is not diversified; and soon feels a sort of unnatural restraint when confined within a narrow range, whether occasioned by a retarded succession or by too great uniformity. An excess in variety is, on the other hand, fatiguing. This is even perceptible in a train composed of related objects: much more where the objects are unrelated; for an object, unconnected with the former train, gains not admittance without effort; and this effort, though scarce perceptible in a single instance, becomes by frequent reiteration exceeding painful. Whatever be the cause, the fact is certain, that a man never finds himself more at ease, than when his perceptions succeed each other with a certain degree, not only of velocity, but also of variety. Hence it proceeds, that a train consisting entirely of ideas of memory, is never painful by too great variety; because such ideas are not introduced otherwise than according to their natural connections*. The pleasure of a train of ideas, is the most remarkable in a reverie; especially where the imagination interposes, and is active in coining new ideas, which is done with wonderful facility. One must be sensible, that the serenity and ease of the mind in this state, makes a great part of the enjoyment. The case is different where external objects enter into the train; for these, making their appearance without any order, and without any connection save that of contiguity, form a train of perceptions that may be extremely uniform or extremely diversified; which, for opposite reasons, are both of them painful.
(I.ix, pp. 392-4)",,23303,"","""The pleasure of a train of ideas, is the most remarkable in a reverie; especially where the imagination interposes, and is active in coining new ideas, which is done with wonderful facility.""",Coinage,2013-11-18 21:53:01 UTC,""