id,comments,provenance,dictionary,created_at,reviewed_on,work_id,theme,context,updated_at,metaphor,text
12262,•As much an analogy as a metaphor. How to classify? REVISIT.,Past Masters,"",2003-09-30 00:00:00 UTC,2010-10-04,4611,"",III.ii.2,2010-10-04 17:26:21 UTC,"""The storms and tempests were not alone removed from nature; but those more furious tempests were unknown to human breasts.""","This state of nature, therefore, is to be regarded as a mere fiction, not unlike that of the golden age which poets have invented; only with this difference, that the former is described as full of war, violence, and injustice; whereas the latter is painted out to us as the most charming and most peaceable condition that can possibly be imagined. The seasons, in that first age of nature, were so temperate, if we may believe the poets, that there was no necessity for men to provide themselves with cloaths and houses as a security against the violence of heat and cold. The rivers flowed with wine and milk; the oaks yielded honey; and nature spontaneously produced her greatest delicacies. Nor were these the chief advantages of that happy age. The storms and tempests were not alone removed from nature; but those more furious tempests were unknown to human breasts, which now cause such uproar, and engender such confusion. Avarice, ambition, cruelty, selfishness, were never heard of: cordial affection, compassion, sympathy, were the only movements with which the human mind was yet acquainted. Even the distinction of mine and thine was banished from that happy race of mortals, and carried with them the very notions of property, and obligation, justice and injustice.
This, no doubt, is to be regarded as an idle fiction; but yet deserves our attention, because nothing can more evidently shew the origin of those virtues, which are the subjects of our present enquiry.
(III.ii.2)"
14720,•Liberty Fund edition can't identify lines of poetry. Notes that it is Hudibrastic.,Reading,"",2005-11-11 00:00:00 UTC,,5501,"",Essay XV,2013-06-11 21:08:06 UTC,"""Away then with all those vain pretences of making ourselves happy within ourselves, of feasting on our own thoughts, of being satisfied with the consciousness of well-doing, and of despising all assistance and all supplies from external objects.""","Away then with all those vain pretences of making ourselves happy within ourselves, of feasting on our own thoughts, of being satisfied with the consciousness of well-doing, and of despising all assistance and all supplies from external objects. This is the voice of PRIDE, not of NATURE. And it were well, if even this pride could support itself, and communicate a real inward pleasure, however melancholy or severe. But this impotent pride can do no more than regulate the outside; and with infinite pains and attention compose the language and countenance to a philosophical dignity, in order to deceive the ignorant vulgar. The heart, mean while, is empty of all enjoyment: And the mind, unsupported by its proper objects, sinks into the deepest sorrow and dejection. Miserable, but vain mortal! Thy mind be happy within itself! With what resources is it endowed to fill so immense a void, and supply the place of all thy bodily senses and faculties? Can thy head subsist without thy other members? In such a situation,
What foolish figure must it make?
Do nothing else but sleep and ake.
Into such a lethargy, or such a melancholy, must thy mind by plunged, when deprived of foreign occupations and enjoyments.
(pp. 140-1)"
17486,"",Reading,"",2009-07-29 00:00:00 UTC,,6587,"","",2011-06-05 19:09:15 UTC,"""The mind naturally continues with the same impetus or force, which it has acquired by its motion; as a vessel, once impelled by the oars, carries on its course for some time, when the original impulse is suspended.""","Of this species of eloquence we have scarcely had any instance in England, at least in our public speakers. In our writers, we have had some instances, which have met with great applause, and might assure our ambitious youth of equal or superior glory in attempts for the revival of ancient eloquence. Lord Bolingbroke's productions, with all their defects in argument, method, and precision, contain a force and energy which our orators scarcely ever aim at; though it is evident, that such an elevated stile has much better grace in a speaker than in a writer, and is assured of more prompt and more astonishing success. It is there seconded by the graces of voice and action: The movements are mutually communicated between the orator and the audience: And the very aspect of a large assembly, attentive to the discourse of one man, must inspire him with a peculiar elevation, sufficient to give a propriety to the strongest figures and expressions. It is true, there is a great prejudice against set speeches; and a man cannot escape ridicule, who repeats a discourse as a school-boy does his lesson, and takes no notice of any thing that has been advanced in the course of the debate. But where is the necessity of falling into this absurdity? A public speaker must know beforehand the question under debate. He may compose all the arguments, objections, and answers, such as he thinks will be most proper for his discourse. If any thing new occur, he may supply it from his invention; nor will the difference be very apparent between his elaborate and his extemporary compositions. The mind naturally continues with the same impetus or force, which it has acquired by its motion; as a vessel, once impelled by the oars, carries on its course for some time, when the original impulse is suspended.
(p. 109)"
17836,Final paragraph.,"Searching ""empire"" in Past Masters; confirmed in ECCO-TCP.",Empire,2010-06-03 17:01:48 UTC,2011-07-25,6708,"","",2014-07-12 14:35:15 UTC,"""But notwithstanding the empire of the imagination, there is a secret tie or union among particular ideas, which causes the mind to conjoin them more frequently together, and makes the one, upon its appearance, introduce the other.""","Thro' this whole book, there are great pretensions to new discoveries in philosophy; but if any thing can intitle the author to so glorious a name as that of an inventor, 'tis the use he makes of the principle of the association of ideas, which enters into most of his philosophy. Our imagination has a great authority over our ideas; and there are no ideas that are different from each other, which it cannot separate, and join, and compose into all the varieties of fiction. But notwithstanding the empire of the imagination, there is a secret tie or union among particular ideas, which causes the mind to conjoin them more frequently together, and makes the one, upon its appearance, introduce the other. Hence arises what we call the apropos of discourse: hence the connection of writing: and hence that thread, or chain of thought, which a man naturally supports even in the loosest reverie. These principles of association are reduced to three, viz. Resemblance; a picture naturally makes us think of the man it was drawn for. Contiguity; when St. Denis is mentioned, the idea of Paris naturally occurs. Causation; when we think of the son, we are apt to carry our attention to the father. 'Twill be easy to conceive of what vast consequence these principles must be in the science of human nature, if we consider, that so far as regards the mind, these are the only links that bind the parts of the universe together, or connect us with any person or object exterior to ourselves. For as it is by means of thought only that any thing operates upon our passions, and as these are the only ties of our thoughts, they are really to us the cement of the universe, and all the operations of the mind must, in a great measure, depend on them.
(cf. pp. 416-7 in Norton, p. 31-2 in 1740 ed.)"
18154,"",Reading,"",2011-02-20 22:31:53 UTC,,6798,"","",2011-02-20 22:31:53 UTC,"""But to make use of the allusion of a celebrated French author, the judgment may be compared to a clock or watch, where the most ordinary machine is sufficient to tell the hours; but the most elaborate alone can point out the minutes and seconds, and distinguish the smallest differences of time.""","In the second place, a delicacy of taste is favourable to love and friendship, by confining our choice to few people, and making us indifferent to the company and conversation of the greater part of men. You will seldom find, that mere men of the world, whatever strong sense they may be endowed with, are very nice in distinguishing characters, or in marking those insensible differences and gradations, which make one man preferable to another. Any one, that has competent sense, is sufficient for their entertainment: They talk to him, of their pleasure and affairs, with the same frankness that they would to another; and finding many, who are fit to supply his place, they never feel any vacancy or want in his absence. But to make use of the allusion of a celebrated French author, the judgment may be compared to a clock or watch, where the most ordinary machine is sufficient to tell the hours; but the most elaborate alone can point out the minutes and seconds, and distinguish the smallest differences of time. One that has well digested his knowledge both of books and men, has little enjoyment but in the company of a few select companions. He feels too sensibly, how much all the rest of mankind fall short of the notions which he has entertained. And, his affections being thus confined within a narrow circle, no wonder he carries them further, than if they were more general and undistinguished. The gaiety and frolic of a bottle companion improves with him into a solid friendship: And the ardours of a youthful appetite become an elegant passion.
(pp. 7-8)"
18235,"",Reading,"",2011-03-09 16:35:51 UTC,,6806,"","",2011-03-09 16:35:51 UTC,"""Two men travelling on the highway, the one east, the other west, can easily pass each other, if the way be broad enough: But two men, reasoning upon opposite principles of religion, cannot so easily pass, without shocking; though one should think, that the way were also, in that case, sufficiently broad, and that each might proceed, without interruption, in his own course.""","Two men travelling on the highway, the one east, the other west, can easily pass each other, if the way be broad enough: But two men, reasoning upon opposite principles of religion, cannot so easily pass, without shocking; though one should think, that the way were also, in that case, sufficiently broad, and that each might proceed, without interruption, in his own course. But such is the nature of the human mind, that it always lays hold on every mind that approaches it; and as it is wonderfully fortified by an unanimity of sentiments, so is it shocked and disturbed by any contrariety. Hence the eagerness, which most people discover in a dispute; and hence their impatience of opposition, even in the most speculative and indifferent opinions.
(pp. 60-1)"
18236,"",Reading,"",2011-03-09 16:37:44 UTC,,6806,"","",2011-03-09 16:37:44 UTC,"""But such is the nature of the human mind, that it always lays hold on every mind that approaches it; and as it is wonderfully fortified by an unanimity of sentiments, so is it shocked and disturbed by any contrariety.""","Two men travelling on the highway, the one east, the other west, can easily pass each other, if the way be broad enough: But two men, reasoning upon opposite principles of religion, cannot so easily pass, without shocking; though one should think, that the way were also, in that case, sufficiently broad, and that each might proceed, without interruption, in his own course. But such is the nature of the human mind, that it always lays hold on every mind that approaches it; and as it is wonderfully fortified by an unanimity of sentiments, so is it shocked and disturbed by any contrariety. Hence the eagerness, which most people discover in a dispute; and hence their impatience of opposition, even in the most speculative and indifferent opinions.
(pp. 60-1)"
18985,"","Searching ""chain"" in Past Masters","",2011-07-25 20:43:10 UTC,,6708,"","",2011-07-25 20:43:10 UTC,"""Hence arises what we call the apropos of discourse: hence the connection of writing: and hence that thread, or chain of thought, which a man naturally supports even in the loosest reverie.""","Thro' this whole book, there are great pretensions to new discoveries in philosophy; but if any thing can intitle the author to so glorious a name as that of an inventor, 'tis the use he makes of the principle of the association of ideas, which enters into most of his philosophy. Our imagination has a great authority over our ideas; and there are no ideas that are different from each other, which it cannot separate, and join, and compose into all the varieties of fiction. But notwithstanding the empire of the imagination, there is a secret tie or union among particular ideas, which causes the mind to conjoin them more frequently together, and makes the one, upon its appearance, introduce the other. Hence arises what we call the apropos of discourse: hence the connection of writing: and hence that thread, or chain of thought, which a man naturally supports even in the loosest reverie. These principles of association are reduced to three, viz. Resemblance; a picture naturally makes us think of the man it was drawn for. Contiguity; when St. Denis is mentioned, the idea of Paris naturally occurs. Causation; when we think of the son, we are apt to carry our attention to the father. 'Twill be easy to conceive of what vast consequence these principles must be in the science of human nature, if we consider, that so far as regards the mind, these are the only links that bind the parts of the universe together, or connect us with any person or object exterior to ourselves. For as it is by means of thought only that any thing operates upon our passions, and as these are the only ties of our thoughts, they are really to us the cement of the universe, and all the operations of the mind must, in a great measure, depend on them.
(pp. 416-7)
"
18986,"",Reading,"",2011-07-25 20:44:41 UTC,,6708,"","",2011-07-25 20:44:41 UTC,"""For as it is by means of thought only that any thing operates upon our passions, and as these are the only ties of our thoughts, they are really to us the cement of the universe, and all the operations of the mind must, in a great measure, depend on them.""","Thro' this whole book, there are great pretensions to new discoveries in philosophy; but if any thing can intitle the author to so glorious a name as that of an inventor, 'tis the use he makes of the principle of the association of ideas, which enters into most of his philosophy. Our imagination has a great authority over our ideas; and there are no ideas that are different from each other, which it cannot separate, and join, and compose into all the varieties of fiction. But notwithstanding the empire of the imagination, there is a secret tie or union among particular ideas, which causes the mind to conjoin them more frequently together, and makes the one, upon its appearance, introduce the other. Hence arises what we call the apropos of discourse: hence the connection of writing: and hence that thread, or chain of thought, which a man naturally supports even in the loosest reverie. These principles of association are reduced to three, viz. Resemblance; a picture naturally makes us think of the man it was drawn for. Contiguity; when St. Denis is mentioned, the idea of Paris naturally occurs. Causation; when we think of the son, we are apt to carry our attention to the father. 'Twill be easy to conceive of what vast consequence these principles must be in the science of human nature, if we consider, that so far as regards the mind, these are the only links that bind the parts of the universe together, or connect us with any person or object exterior to ourselves. For as it is by means of thought only that any thing operates upon our passions, and as these are the only ties of our thoughts, they are really to us the cement of the universe, and all the operations of the mind must, in a great measure, depend on them.
(pp. 416-7)"
22933,"Reassigned to 1740 printing. Record created on 2011-03-06 19:19:56 UTC
Record last updated on 2011-03-06 19:19:56 UTC
","Reading John Richetti's Philosophical Writing: Locke, Berkeley, Hume (Cambridge, MA; London, England: Harvard UP, 1983): 190.","",2013-10-12 02:18:43 UTC,2011-03-06,4611,"","Book III, Part 3, Section 6",2013-10-12 02:18:43 UTC,""The anatomist ought never to emulate the painter; nor in his accurate dissections and portraitures of the smaller parts of the human body, pretend to give his figures any graceful and engaging attitude or expression. There is even something hideous, or at least minute, in the views of things which he presents; and it is necessary the objects should be set more at a distance, and be more covered up from sight, to make them engaging to the eye and imagination. An anatomist, however, is admirably fitted to give advice to a painter; and it is even impracticable to excel in the latter art without the assistance of the former.""","The same system may help us to form a just notion of the happiness, as well as of the dignity of virtue, and may interest every principle of our nature in the embracing and cherishing that noble quality. Who indeed does not feel an accession of alacrity in his pursuits of knowledge and ability of every kind, when he considers that, besides the advantage which immediately result from these acquisitions, they also give him a new lustre in the eyes of mankind, and are universally attended with esteem and approbation? And who can think any advantages of fortune a sufficient compensation for the least breach of the social virtues, when he considers that not only his character with regard to others, but also his peace and inward satisfaction entirely depend upon his strict observance of them; and that a mind will never be able to bear its own survey, that has been wanting in its part to mankind and society? But I forbear insisting on this subject. Such reflections require a work apart, very different from the genius of the present. The anatomist ought never to emulate the painter; nor in his accurate dissections and portraitures of the smaller parts of the human body, pretend to give his figures any graceful and engaging attitude or expression. There is even something hideous, or at least minute, in the views of things which he presents; and it is necessary the objects should be set more at a distance, and be more covered up from sight, to make them engaging to the eye and imagination. An anatomist, however, is admirably fitted to give advice to a painter; and it is even impracticable to excel in the latter art without the assistance of the former. We must have an exact knowledge of the parts, their situation and connexion, before we can design with any elegance or correctness. And thus the most abstract speculations concerning human nature, however cold and unentertaining, become subservient to practical morality; and may render this latter science more correct in its precepts, and more persuasive in its exhortations.
(III.iii.6)"