work_id,theme,provenance,created_at,text,reviewed_on,id,comments,metaphor,dictionary,updated_at,context
6495,"",Reading,2009-03-04 00:00:00 UTC,"Pleasure and terrour are indeed the genuine sources of poetry; but poetical pleasure must be such as human imagination can at least conceive, and poetical terrour such as human strength and fortitude may combat. The good and evil of Eternity are too ponderous for the wings of wit; the mind sinks under them in passive helplessness, content with calm belief and humble adoration.",2009-07-31,17274,"","""The good and evil of Eternity are too ponderous for the wings of wit; the mind sinks under them in passive helplessness, content with calm belief and humble adoration.""","",2009-09-14 19:49:38 UTC,""
6836,"",Reading,2011-04-30 16:43:58 UTC,"But Wit, abstracted from its effects upon the hearer, may be more rigorously and philosophically considered as a kind of discordia concors; a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike. Of wit, thus defined, they have more than enough. The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtilty surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased.",,18355,"","""The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtilty surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased.""",Beasts,2011-04-30 16:43:58 UTC,""
6869,"",Searching in UVa E-Text Center,2011-05-24 21:20:59 UTC,"No man has ever been drawn to crimes by love or jealousy, envy or hatred, but he can tell how easily he might at first have repelled the temptation, how readily his mind would have obeyed a call to any other object, and how weak his passion has been after some casual avocation, till he has recalled it again to his heart, and revived the viper by too warm a fondness.
(p. 48)",,18486,"","""No man has ever been drawn to crimes by love or jealousy, envy or hatred, but he can tell how easily he might at first have repelled the temptation, how readily his mind would have obeyed a call to any other object, and how weak his passion has been after some casual avocation, till he has recalled it again to his heart, and revived the viper by too warm a fondness.""",Beasts,2011-05-24 21:20:59 UTC,""
6906,"",Searching in UVa E-Text Center,2011-05-26 01:53:08 UTC,"There is no snare more dangerous to busy and excursive minds, than the cobwebs of petty inquisitiveness, which entangle them in trivial employments and minute studies, and detain them in a middle state, between the tediousness of total inactivity, and the fatigue of laborious efforts, enchant them at once with ease and novelty, and vitiate them with the luxury of learning. The necessity of doing something, and the fear of undertaking much, sinks the historian to a genealogist, the philosopher to a journalist ofthe weather, and the mathematician to a constructor of dials.
(p. 300)",,18559,"","""There is no snare more dangerous to busy and excursive minds, than the cobwebs of petty inquisitiveness, which entangle them in trivial employments and minute studies, and detain them in a middle state, between the tediousness of total inactivity, and the fatigue of laborious efforts, enchant them at once with ease and novelty, and vitiate them with the luxury of learning.""",Beasts,2011-05-26 01:53:08 UTC,""
7033,"",Reading,2011-07-26 03:54:18 UTC,"Now, among all this infinite Variety of Tempers which is found in Nature, we see there cannot be any uniform Motive to Virtue, save only 'where the Senses are weak, the Imagination refined, and the public Affections strongly predominant.' For in every other Character, where either the Senses, gross Imagination, or selfish Passions prevail, a natural Opposition or Discordance must arise, and destroy the uniform Motive to Virtue, by throwing the Happiness of the Agent into a different Channel. How seldom this sublime Temper is to be found, is hard to say: But this may be affirmed with Truth, that every Man is not really possessed of it in the Conduct of Life, who enjoys it in Imagination, or admires it in his Closet, as it lies in the Enquiry concerning Virtue. A Character of this supreme Excellence must needs be approved by most: And the Heart of Man being an unexhausted Fountain of Self-Deceit, what it approves, is forward to think itself possessed of. Thus a lively Imagination and unperceived Self-Love, fetter the Heart in certain ideal Bonds of their own creating: Till at length some turbulent and furious Passion arising in its Strength, breaks these fantastic Shackles which Fancy had imposed, and leaps to its Prey like a Tyger chained by Cobwebs.
(pp. 186-7)",,18993,USE IN ENTRY,"""Thus a lively Imagination and unperceived Self-Love, fetter the Heart in certain ideal Bonds of their own creating: Till at length some turbulent and furious Passion arising in its Strength, breaks these fantastic Shackles which Fancy had imposed, and leaps to its Prey like a Tyger chained by Cobwebs.""","",2011-07-26 03:57:40 UTC,"Essay II, Section VII"
7192,"",Reading,2012-02-28 18:06:46 UTC,"No passage in the Campaign has been more often mentioned than the simile of the Angel, which is said in the Tatler to be ""one of the noblest thoughts that ever entered into the heart of man,"" and is therefore worthy of attentive consideration. Let it be first enquired whether it be a simile. A poetical simile is the discovery of likeness between two actions, in their general nature dissimilar, or of causes terminating by different operations in some resemblance of effect. But the mention of another like consequence from a like cause, or of a like performance by a like agency, is not a simile, but an exemplification. It is not a simile to say that the Thames waters fields, as the Po waters fields; or that as Hecla vomits flames in Iceland, so Aetna vomits flames in Sicily. When Horace says of Pindar, that he pours his violence and rapidity of verse, as a river swoln with rain rushes from the mountain; or of himself, that his genius wanders in quest of poetical decorations, as the bee wanders to collect honey; he, in either case, produces a simile; the mind is impressed with the resemblance of things generally unlike, as unlike as intellect and body. But if Pindar had been described as writing with the copiousness and grandeur of Homer, or Horace had told that he reviewed and finished his own poetry with the same care as Isocrates polished his orations, instead of similitude he would have exhibited almost identity; he would have given the same portraits with different names. In the poem now examined, when the English are represented as gaining a fortified pass, by repetition of attack and perseverance of resolution; their obstinacy of courage, and vigour of onset, is well illustrated by the sea that breaks, with incessant battery, the dikes of Holland. This is a simile; but when Addison, having celebrated the beauty of Marlborough's person, tells us, that ""Achilles thus was formed with every grace,"" here is no simile, but a mere exemplification. A simile may be compared to lines converging at a point, and is more excellent as the lines approach from greater distance; an exemplification may be considered as two parallel lines, which run on together without approximation, never far separated, and never joined.",2012-04-18,19597,REVISIT. INTEREST: META-METAPHORICAL. USE somewhere in the book.,"""When Horace says of Pindar, that he pours his violence and rapidity of verse, as a river swoln with rain rushes from the mountain; or of himself, that his genius wanders in quest of poetical decorations, as the bee wanders to collect honey; he, in either case, produces a simile; the mind is impressed with the resemblance of things generally unlike, as unlike as intellect and body.""",Beasts,2013-06-04 17:20:20 UTC,""
5452,"","Searching ""mind"" in PGDP",2013-06-21 18:11:37 UTC,"All this will happen to you, if you persevere in the desire of pleasing and shining as a man of the world; that part of your character is the only one about which I have at present the least doubt. I cannot entertain the least suspicion of your moral character; your learned character is out of question. Your polite character is now the only remaining object that gives me the least anxiety; and you are now in the right way of finishing it. Your constant collision with good company will, of course, smooth and polish you. I could wish that you would say, to the five or six men or women with whom you are the most acquainted, that you are sensible that, from youth and inexperience, you must make many mistakes in good-breeding; that you beg of them to correct you, without reserve, wherever they see you fail; and that you shall take such admonition as the strongest proofs of their friendship. Such a confession and application will be very engaging to those to whom you make them. They will tell others of them, who will be pleased with that disposition, and, in a friendly manner, tell you of any little slip or error. The Duke de Nivernois--would, I am sure, be charmed, if you dropped such a thing to him; adding, that you loved to address yourself always to the best masters. Observe also the different modes of good-breeding of several nations, and conform yourself to them respectively. Use an easy civility with the French, more ceremony with the Italians, and still more with the Germans; but let it be without embarrassment and with ease. Bring it by use to be habitual to you; for, if it seems unwilling and forced; it will never please. 'Omnis Aristippum decuit color, et res'. Acquire an easiness and versatility of manners, as well as of mind; and, like the chameleon, take the hue of the company you are with.
(II.clxxxi, p. 323-4, LONDON, January 11, O. S. 1750)",,21109,Does Boswell plagiarize this? — Or is it commonplace?,"""Acquire an easiness and versatility of manners, as well as of mind; and, like the chameleon, take the hue of the company you are with.""",Animals,2013-06-21 18:11:37 UTC,""
7583,"",Reading,2013-08-15 05:10:16 UTC,"281. Love, Gallantry.
As different as these words may appear, they have, nevertheless, been, and, are still, frequently, used, as synonymous, when intended to imply courtship. It may not be then unnecessary, to point out their peculiar ideas.
Love, is more sanguine, than gallantry; having for its object, the person, whom we are studious to please, through a view of possessing; and, whom we love as much, on her account, as our own: it takes possession of the heart, suddenly, and, owes its birth, to a certain something, which enchains the sentiments, and, draws the esteem, without any examination, or, information. Gallantry, is more sensual, than love; having for its object, the sex; we enter into intrigues, in hopes of enjoying it, and, love, more on our own account, than on that, of our mistress. It acts upon the senses, much more than upon the heart, and, is more, owing to constitution, and, complexion, than, to the force of beauty.
The one, has a power of making those persons agreeable in our eyes, who study to please the object of our love, provided, they in no respect raise our jealousy. The other, engages us to keep an eye upon all those, who are capable, either, of forwarding, or, hurting our designs; and, to watch them, as we would a rival, taking every advantage within our reach.
The first, leaves us not the liberty of choice; it commands in the beginning, as a master, and, reigns, afterwards, as a tyrant, till we are accustomed to its chains, by length of time; or, till they are broken by the efforts of powerful reason, or, the caprice of continued vexation. The second, suffers, sometimes, another passion to get before it; reason and interest, often, hold the bridle, and, make it give way to our situation, and, affairs.
Love, attaches us, solely, to one person, and, delivers up our heart, without reserve, so as to engage it, wholly, and, make every other object, of what beauty or merit soever, indifferent to us. Gallantry, rivets us, generally, to all persons, who are either beautiful or agreeable, and, unites us to those, who make the least returns to our eagerness and desire; in such a manner, however, as leaves us no liking for others.
It appears to me, that love, delights in difficulties; so far from being weakened by obstacles, they, generally, increase it; and, we make it one of our most serious engagements. As for gallantry, it banishes formality, is less accustomed to difficulty, and, is often entered into, merely, for amusement. It is for this reason, we observe more spirit of gallantry in men, than love: for, it is rare to find a first love, followed by a second; and, I doubt, whether ever it can be said, by a third: but, gallantries are, sometimes, without number, and, succeed each other, till that age arrives, when their source is dried up.
There is, always, honesty in love; but, it is troublesome and capricious; we consider it, now-a-days, as a distemper, or, as a weakness of mind. In gallantry, there is a degree of knavery, but, it is free and good humoured; and, is become the taste of the age.
Love, designs on the imagination, the flattering idea of eternal happiness, in the entire and constant possession of the object we love. Gallantry, fails not to paint there the agreeable image of a singular pleasure, in the enjoyment of the object we pursue; but, neither the one, nor, the other, copies after nature; experience shewing us, that their colours, however agreeable, are, equally, deceitful. All the difference we find, is, that love, being more serious, the unfaithfulness of its pencil, gives greater offence; and, the recollection of the pain it has given, in seeing it so ill rewarded, creates our disgust; whereas, gallantry, being more wanton, we are less sensible of the fallacy of its colouring, and, the vain notions we have of being arrived at the end of its designs, reconcile any disappointments, we may have met with.
In love, it is the heart, which, principally, tastes the pleasure; the mind, making itself a slave, without any regard; and, the satisfaction of the senses, contributing less to the sweet enjoyment, than a certain contentedness of soul, which produces the charming idea, of being in the possession of what we love, and, receiving the most sensible proofs of a tender return. In gallantry, the heart, is less affected with the object; the mind, being more free, to indulge itself, and the senses, more attentive to their own satisfaction, partake the pleasure with greater equality; voluptuousness, contributing more to its enjoyment, than the delicacy of sentiments.
When we are too much tormented by the caprices of love, we endeavour to disentangle ourselves, and, become indifferent. When we are too fatigued by the exercises of gallantry, we take a resolution to desist, and, become sober.
Excess makes love degenerate into jealousy; and, gallantry, into libertinism. In the first case, we are subject, to trouble of mind; in the second, we are in danger, of destroying our health.
Upon the whole, love, is, generally, justifiable; gallantry, always, blameable.
(II, pp. 82-86)
",,22157,"","Gallantry ""suffers, sometimes, another passion to get before it; reason and interest, often, hold the bridle, and, make it give way to our situation, and, affairs.""",Animals,2013-08-15 05:10:16 UTC,""